As the world's first UNESCO City of Literature, Edinburgh is renowned for its literary influences and connections. Chief among the figures frequently celebrated is Robert Louis Stevenson, who was born in the city on 13 November 1850.
Stevenson is still widely read with works such as Treasure Island, Kidnapped, and one story that has a particular connection to Edinburgh itself, The Strange Case of Dr Jekyll and Mr Hyde.
To mark 170 years of Stevenson's influence and legacy in Edinburgh, here are eight locations in the city associated with this literary giant.
17 Heriot Row
The Stevensons moved to this grand address in Edinburgh's New Town when Robert Louis Stevenson was six years old, and he spent the bulk of his childhood at this address.
As a child he was prone to illness, especially problems with his lungs and his breathing, and so was rarely allowed to go out into the damp Scottish climate to play with the other children of the neighbourhood.
Directly across the road from the house is Queen Street Gardens, a private garden space, where Stevenson would watch the other children playing, from the safety of the drawing room on the first floor of the house.
In these gardens is a pond, with a small island in the centre of it. Literary historians have speculated that it was from watching the children playing around this pond and its island that Stevenson came up with the ideas of what became Treasure Island.
During the summers of the late 1870s, Stevenson spent much of his time in this picturesque village on the side of the Pentland Hills, to the south of Edinburgh.
His father had rented one of the properties, and Stevenson used the village as the inspiration for his unfinished novel St Ives, written in parallel with The Weir of Hermiston, which he did manage to complete.
Today the village of Swanston is still a rural retreat from the city of Edinburgh itself, with access to the hills, and remains popular with dog walkers and ramblers.
Another local setting which Stevenson borrowed for his writing was one of the many hills which make up Edinburgh's landscape. Corstorphine is to the west of the city, towards Edinburgh airport, and features in Kidnapped, Stevenson's adventure story set in the aftermath of the 1745 Jacobite Uprising.
The book ends with the two main characters form the story - David Balfour and Alan Breck Stewart - going their separate ways on Corstorphine Hill. Today a statue of the figures by the artist Alexander Stoddart can be found on Corstorphine Road, near the location where the scene from the book is set.
Princes Street Gardens
Stevenson spent the latter years of his life on an island in Samoa, in the Pacific Ocean. He integrated into the community there, who named him 'Tusitala', meaning 'Teller of tales', and on his death in 1894 he was buried in a spot overlooking the ocean, a reminder of his time as a traveller, journeying in the way many of his characters did in their respective stories.
So he has no formal grave in Edinburgh, his hometown. Instead, in Princes Street Gardens, surrounded by a glade of birch trees, is a simple commemorative headstone bearing his initials, RLS, and the legend 'A man of letters'.
The Writers' Museum
One place where Stevenson is celebrated fully is in Edinburgh's Writers' Museum, a small building celebrating the life and work of three of Scotland's greatest literary figures - Sir Walter Scott, Robert Burns, along with Robert Louis Stevenson.
The museum can be found on Lady Stair's Close, off the Lawnmarket on the Royal Mile. It's a free entry museum and is worth exploring for anyone interested in the lives of the writers featured.
Stevenson was known for living the lifestyle of a nineteenth-century writer, which meant (broadly) significant amounts of drink, drugs, and a fondness for prostitutes... One of the bars in which he drank still survives, and is today an Italian restaurant in the Old Town.
The Hispaniola was a bar popular with writers, poets and figures associated with the University of Edinburgh, and Stevenson is known to have spent time here with figures like William Henley, a writer and poet who had a large red beard and only one leg, the other having been amputated after a childhood illness...
The Hispaniola bar helped give Stevenson the name for the ship in Treasure Island, and surely a one-legged bearded man must have inspired that story's notorious pirate, Long John Silver?
Another suburb of the city where Stevenson spent time was Colinton, a small village near to Swanston where he spent time during his childhood. Stevenson's grandfather was minister of the church in Colinton, and the area provided young Robert with plenty of space to roam and explore and develop his interest in the natural world.
Today Colinton remains a peaceful residential suburb of Edinburgh, with the Water of Leith running through the area, and visitors can find a small statue of a boy playing with his dog, near to a heritage and nature trail. The boy in the statue is Robert Louis Stevenson, and his dog is Coolin, Stevenson's own childhood pet.
My final Edinburgh location which has a Stevenson connection is Chessel's Court in the Old Town, just off the Canongate section of the Royal Mile.
It was here in 1787 that a robbery took place, masterminded by Deacon William Brodie, the man whose life would help to inspire Stevenson's most enduring (and influential) character study - that of the duality of Dr Jekyll and Mr Hyde...
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On 8 November 1736, Scotland's first theatre formally opened, on Carrubber's Close in Edinburgh's Old Town. It had been established by the poet and librarian Allan Ramsay, at what he described as "great expense", for the purpose of staging entertainments and performances for a local audience.
The life of the theatre was shortlived, as by the following year the venue on Carrubber's Close had closed, forced out of business as a result of campaigning and opposition from religious leaders in the city.
For a long time, the performing arts were closely linked with issues of vice and depravity, had sinful associations with excess and debauchery, and attracted a dubious clientele. Many influential figures decried the harmful, degenerate influence that theatres had on their communities, and it's no surprise that Ramsay's venture was forced out of business so speedily.
Of course, the closure of the theatre on Carrubber's Close wasn't the end of the performing arts in Edinburgh, and today the city boasts the world's largest arts festival every summer - and at a time when many arts venues and artists are experiencing the devastating effects of the pandemic lockdown, here's my celebration of some of Edinburgh other important theatres, past and present.
OLD PLAYHOUSE CLOSE
A decade after Allan Ramsay's theatre closed, another playhouse was established in Edinburgh's Old Town, just a short way further down the Royal Mile. Crucially, this venue was outside of Edinburgh at the time, in a town called Canongate which lay just beyond the original city walls.
It was here that the premiere of John Home's play Douglas received its premiere, in 1756. Rapturously received by audiences, it elicited the famous cry during one of its curtain calls: "Whaurs yer Wullie Shakespeare noo?"
Home was a church minister at the time, and the outcry at his association with the dreaded performing arts forced his resignation from the church.
Douglas was restaged in London in 1757, where it was well received by a non-domestic audience, and was followed with several other classical-themed plays. Home later became an MP for Edinburgh, and died in 1808. The theatre on Playhouse Close closed in 1769.
Another long-gone theatre in Edinburgh was the Theatre Royal, which stood on a square named Shakespeare Square, between 1769 and 1859. Shakespeare Square was at the east end of Princes Street in the New Town, near the junction with North Bridge, where the former General Post Office building stands today.
The foundation stone for the theatre was laid by Prince Albert, Queen Victoria's prince consort in 1861, on the same day he laid the foundation stone for what is today the National Museum of Scotland, on Chambers Street.
When the venue closed after 90 years, the title of Theatre Royal was then passed to a second building, previously known as the Queen's Theatre and Operetta House, on nearby Broughton Street.
This theatre was immediately adjacent to St Mary's Cathedral, where the John Lewis department store stands today, and seemed curiously vulnerable to fire - it was destroyed by fire and rebuilt no fewer than three times, before being demolished after catching fire for the last time in 1946.
ROYAL LYCEUM THEATRE
One of the most popular local theatres in the city is the Royal Lyceum, which opened in 1883. A classic proscenium arch theatre, the auditorium here is one of the most beautiful of all the theatres across Scotland. The theatre has a permanent creative company dedicated to producing live theatre created in Edinburgh, attracting actors, designers and directors from all around the world.
Casts here have included performers like Sam Heughan (Outlander), David Tennant (Doctor Who) and Brian Cox (the original Hannibal Lektor in Manhunter), and designers including Olivier and Tony-award winning Bunny Christie.
The Lyceum is especially renowned for its work attracting younger audiences, including an annual Christmas show and its year-round Youth Theatre program.
Another classic proscenium arch theatre, the foundation of the red sandstone building of the King's Theatre was laid in 1906 by Andrew Carnegie, at one time the richest man in America.
The King's was part of the traditional music hall circuit of the early- to mid-twentieth century. This was a key part of the theatre tradition in the UK, where comedians, singers, dancers and novelty acts would travel the country performing at venues. Scottish comedians like Rikki Fulton, Stanley Baxter, and Jimmy Logan all starred at the King's theatre in their careers.
More recently, the King's has become one of the city's receiving houses, hosting touring productions for a week at a time throughout the year. A major renovation in 2013 saw improved access to what had become a challenging building for audiences to get into, and further development is planned for the near future.
A beautiful mural on the decorative ceiling rose was painted by the artist and playwright John Byrne.
EDINBURGH FESTIVAL THEATRE
The Festival Theatre is the second largest auditorium in the city, and the longest established theatre site, having had a venue on it since 1830. The former Empire Theatre was later turned into a cinema and bingo hall, before returning to use as a theatre in 1994.
In 1911 the Empire Theatre was the site of a devastating stage fire which broke out during a performance by a magician named the Great Lafayette, during which 11 people were killed - including the magician himself, his illusion body double, and a lion featured in his act.
In the aftermath of this fire, a new UK law was introduced which required a fire curtain to be installed in all theatres, and which was required to be proven to be functional at every performance. This resulted in the practice of raising and lowering a fire curtain or safety curtain during every live theatre performance to this day.
Today the Festival Theatre is a venue for large scale touring productions, including international ballet and opera companies, and West End musicals during their UK tours.
The Traverse is one of the city's most important creative spaces, being dedicated to new writing. Originally established in 1963 by a group of people including John Calder - who was Samuel Beckett's publisher in the UK - and Richard Demarco, who remains an important and active artist and writer in Edinburgh.
The original theatre space was located on a lane off the Lawnmarket before moving to a more formal location in the Grassmarket, until it moved to the modern development from which it still operates today in 1992.
The Traverse become a major hub during the annual Edinburgh Festival Fringe, and is well regarded as a venue that nurtures and develops the work of new Scottish writers.
The Edinburgh Playhouse is the largest theatre venue in the UK by number of seats, with room for just over 3,000 audience members at every performance.
The building opened in 1929 as a cinema, and today operates as a receiving house for large scale touring productions of West End musicals, international opera and ballet companies, and stand-up comedy.
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Robert Stodart Lorimer was born in Edinburgh on 4 November 1864.
His name isn't as well known as some of the architects like Robert Adam or William Playfair, but Lorimer was active across the UK and further afield during the early twentieth century, and found a reliable supply of work after the First World War as a designer of graves, monuments and war memorials. He also worked extensively in domestic settings, creating not the grand public buildings of better known architects, but contributing to his clients' domestic experience instead.
He was a notoriously frugal figure who never had more than four people working in his architecture practice, and resented having to buy coal to heat the offices during the winter months. He could also be a difficult man to work with, and lost several commissions because of his lack of tact or his insistence on features and elements that his clients didn't like.
One of his chief draughtsmen once commented that Lorimer was "terrible with clients", and remembered that during one argument with a client was heard to say, "'This house will be remembered because I designed it, not because you paid for it"...!
But some of Lorimer's greatest works were public buildings and features in Edinburgh. Here are some highlights.
THISTLE CHAPEL, ST GILES' CATHEDRAL
Lorimer produced several memorials and commemorative features in St Giles' Cathedral, but his most significant early contribution to the church building was the Thistle Chapel, designed in 1909.
This octagonal feature on the south-east corner of the building is filled with incredibly ornate decoration, with every surface covered in carved wooden panels with the crests of major Scottish figures around the space. It is in the Thistle Chapel that the monarch awards the chivalric title of Order of the Thistle, a historic royal honour dating back to the seventeenth century.
It's a small space, and not always open to the public (which is why I don't have photos of it!) but is worth visiting if you can get access during a visit - it is in the Thistle Chapel that you'll find the famous carving of an angel playing bagpipes! See if you can spot it amongst all the other decorations and carvings.
WALLACE AND BRUCE MONUMENTS, EDINBURGH CASTLE
The gatehouse of Edinburgh Castle was (only) built in the 1870s, but modifications were made in 1929 by Lorimer, for this grand entranceway to accommodate two statues of two of Scotland's historic heroes.
King Robert the Bruce and William Wallace stand on either side of the drawbridge entrance into the castle, cast by the sculptor Alexander Carrick.
But it's inside the castle itself that Lorimer's greatest work is visited by thousands of visitors a year...
Scottish National War Memorial, Edinburgh Castle
Designed and planned in the aftermath of World War One, Lorimer's building honouring the Scottish soldiers who lost their lives during that war was opened in 1927 and today honours all those Scots who have lost their lives in conflict since 1914.
Lorimer utilised a part of an existing barracks block on the site at the top of Edinburgh Castle for his plans, which today are a quiet and peaceful place of reverence and respect.
Rolls of the names of the dead are kept in books for visitors to trace family and loved ones, and even in the middle of the summer when the castle is at its busiest, the Scottish National War Memorial remains a place of remembrance.
A number of other war memorial from Lorimer can be found in the city.
Look for the memorial inside Old College, part of the University of Edinburgh, along with the memorial outside the City Chambers on the Royal Mile.
Another of the University of Edinburgh campuses is King's Buildings, a collection of science and technology departments a little way from the city centre. Lorimer's architectural firm, which he ran with John Fraser Matthew, was responsible for several of the buildings on the site, including the building which originally housed the university's zoology department
Lorimer died in 1929, so it's likely that the bulk of the zoology building from 1928 was designed and overseen by Matthew, but it's an intriguing structure that always catches my eye on my frequent trips past it to do my weekly supermarket shop...
The building features reliefs of a variety of animals, a fun and creative addition to what could otherwise have been a very sombre and imposing 1920s structure!
Here's an aardvark, but you might also see crocodiles, an elephant, a kangaroo and many more cast in the building's stone...
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