Not all of Edinburgh's historical figures belong to the dim and distant past - many notable residents have walked the streets within living memory and offer a more modern sense of Edinburgh's historical influences.
In a city noted for its literary and artistic influences, one figure had a particular impact on the world of modern art. Born on 7 March 1924, Eduardo Paolozzi was an early proponent of the Pop Art style, and may even have given the movement its name from one of his colourful early collages.
Paolozzi was born in Leith, to parents who were Italian immigrants who had settled in the city early in the twentieth century. The city today retains many of its links to these immigrant families who brought a fresh new vision of food, art, music and culture to Scotland - Paolozzi's parents ran an ice cream and confectionery shop in Leith, and many of the fish and chip shops around the city today are still family-run, while shops like the Valvona and Crolla delicatessen have become local institutions.
This isn't to say that the immigrant families were always treated well in Scotland. Notably in 1940, when Italy became a British enemy during the Second World War, many Italian men and boys across the country were forcibly detained in local internment camps, and a teenage Paolozzi spent three months in Edinburgh's Saughton prison. His fate was rather better than that of many Italian men at that time, however, who had also been detained and were being transported to an internment camp in Canada. The ship they were on, the Arandora Star, was torpedoed by German u-boats in the North Atlantic, and over 800 men perished, 446 of them Italian detainees, including Paolozzi's father and grandfather.
In 1943, Paolozzi joined Edinburgh College of Art, and later studied fine art at University College London. In Paris at the end of the 1940s Paolozzi associated with Alberto Giacometti and Georges Braque, both of whom became major figures in the world of post-war sculpture and painting.
On his return to London, Paolozzi established his studio in London's district of Chelsea, where he began a pioneering approach to assembling collages and printing. In 1952 he was a founder of the Independent Group, whose work and vision would later be a significant influence on the American pop art movement of the late 1950s and 60s. It was Paolozzi's 1947 collage of images and advertising text snipped from American magazines, entitled I Was a Rich Man's Plaything, which influenced the bold, colourful style of pop art, and prominently at the top of the piece is the word 'pop' itself.
Paolozzi was awarded a CBE in 1968, and was knighted by the Queen in 1989. He had already been appointed to the position of Queen's Sculptor in Ordinary in Scotland, a role originally created by Queen Victoria for Edinburgh artist John Steell in the 19th century, and a position currently held by another Edinburgh sculptor, Alexander Stoddart.
Paolozzi's extensive output took in a wide range of media, from sculpture and collage to print and mosaic, and some of his public artworks can be found today across the world, from the walls of London tube stations to the foyer of the British Library.
In Edinburgh you can spot some of his pieces to the east of the city centre, outside St Mary's Cathedral on Picardy Place, where huge sculptures of a foot and a hand are mounted on the pavement, entitled The Manuscript of Monte Cassino.
You can also find some of his statues in the lower levels of the National Museum of Scotland, and around the University of Edinburgh campus at King's Buildings and their central library on George Square.
Paolozzi donated much of his work and material to the National Galleries of Scotland in 1994, and in the former Dean Gallery (now named Modern Two) you can see a recreation of his studio, along with other works including a major figure of an iron giant named Vulcan who stands in the gallery's cafe.
Paolozzi died in London in 2005.
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One of the most spectacular buildings in Edinburgh's Old Town is the incredibly ornate and decorative George Heriot's School, a private school on a ridge of rock with views across to Edinburgh Castle.
The school building was paid for with money from the estate of George Heriot, who died on 12 February 1624. Heriot had been a jeweller and a goldsmith in Edinburgh in the sixteenth century, and was known by the nickname 'Jinglin' Geordie' because of the noise made by the coins and jewels rattling in his pockets as he walked through the streets of the Old Town.
Heriot became fantastically wealthy, but was also a great philanthropist and would give money to destitute families, donating coins to beggars on the street, and his generosity would later give the city the school that stands today.
Heriot had served his apprenticeship as a goldsmith, and set up his own shop on the Royal Mile near St Giles' Cathedral in one of the 'luckenbooths', or lockable stall properties, which lined the street in the late sixteenth century.
In the 1590s he began selling jewellery to Queen Anne of Denmark, the wife of King James VI of Scotland, and was later appointed as her official goldsmith.
Both Ann and James had extravagant tastes, and Heriot was able to secure some of the finest and most expensive jewellery from across Europe, which he then sold to the royal couple. They would buy the jewellery in instalments (with Heriot adding a significant mark-up to the market value), and the queen would then often seek to borrow large sums of cash from Heriot, secured against the jewellery which he had sold her.
She would repay these loans - again with a significant percentage of interest - and Heriot became fantastically wealthy from his royal patronage. In just ten years it is believed Heriot may have done over £50,000 worth of business with the queen alone, which is equivalent to multiples of millions of pounds in modern currency.
In 1601 Heriot was appointed jeweller to the king, James VI, and in 1603 when James VI of Scotland became James I of England, he removed the royal court from Edinburgh down to London, and took George Heriot with him. Thus Heriot became an integral figure in the royal court, and profited handsomely from his royal connections.
On his death in 1624, Heriot had no surviving legitimate children, and both of his wives had pre-deceased him. He did leave a provision in his will for two illegitimate daughters that had been born to separate women, as well as a number of nieces, nephews and children elsewhere in his family line. But the bulk of his estate, amounting to something over £23,000, was gifted to the city of Edinburgh, for the establishing of a hospital in his name.
Heriot's Hospital was to be dedicated to the care and support of disadvantaged families and children in the city, the "puir, faitherless bairns" as his will described them. And so in 1628, construction began on the hospital building on land to the south of the city.
The sum of money that Heriot left was so great that a huge hospital could be built with it, but at that time there simply wasn't enough open space in the city on which such a large building could be established. And so the money also paid for land to be bought which, at that time, lay just beyond the Flodden Wall, which was the structure marking the southern boundary of Edinburgh.
That piece of land had to be brought within the provision of Edinburgh itself, and an extension to the boundary wall was also built, known as the Telfer Wall, to enclose the school property. Today the junction of the Flodden and Telfer walls can be seen along the Vennel, to the west of the school building.
Having started life as a hospital, providing general social care, Heriot's later became a dedicated school for orphaned boys, and later still started accepting pupils from non-disadvantaged backgrounds. In the 1880s the school started charging for its education, and today is one of the best known private schools in Scotland. A number of free school places continue to be offered to poorer families today as part of its requirement to fulfil its obligations as a registered charitable organisation.
The school is adjacent to the Greyfriars Kirkyard, and pupils often use a side entrance to get into and out of the school property through the church yard. This side gate is generally the best angle from which to view the school, although it can be difficult to get a good view over the heads of the large Harry Potter tour groups who congregate at the gates to enjoy the view of one of the inspirations for the Hogwarts academy...
Views of the school can also been seen distantly from Victoria Terrace (above right) and the esplanade in front of Edinburgh Castle.
For thirstier visitors to Edinburgh, a pub on Fleshmarket Close is named the Jinglin' Geordie in Heriot's honour.
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I have recently had cause to engage directly with the legacy of one of Edinburgh's local heroes, a man born in the Old Town, buried in the New Town, and standing as one of the great pioneers of his age. William Dick established Scotland's first veterinary school in Edinburgh, which continues to operate today as part of the University of Edinburgh.
Dick was born on White Horse Close, a picturesque alley just off the Royal Mile near Holyrood Palace. I often bring groups into this lane because of its instagram-friendly appeal, but in 1793 when young William was born it would have been less pretty and more a run-down slum area - but it was an area that had long held a connection with horses, with legends of Mary Queen of Scots' horse being stabled here, as well as being the site of a major inn serving visitors arriving into Edinburgh from the horse drawn coaches in the seventeenth century.
Dick's father was a farrier - horse shoe making - and so horses would have been a significant presence in the boy's life, and growing up in an environment where animals were such a feature was certainly an influence on William's later veterinary pursuits.
In 1815 the Dick family moved to accommodation in the New Town, just off St Andrew Square, and he was schooled in Shakespeare Square, which no longer survives but was near where the northern end of North Bridge is today. He began to take anatomy lessons, and would later fuse his interest in horses with his medical studies, travelling to London to study as a veterinary surgeon.
Returning to Edinburgh, Dick set up his own veterinary college, training others in treatment of disease in farm animals and livestock, horses and dogs. Having provided students with a certified qualification in "the veterinary art", Dick's reputation grew and his college gradually expanded, until Queen Victoria appointed him as her royal veterinarian in 1842.
Dick died in 1866, and was buried in Edinburgh's Old Calton Burial Ground, just a short distance away from White Horse Close where he was born, and overlooking the bottom end of the Old Town.
William Dick's veterinary college was officially renamed the Royal (Dick) Veterinary College in 1902, and moved into purpose-built buildings near the Meadows on the south side of the city in 1916. Those buildings today are the Summerhall complex of art studios, performance spaces, bars and brewery, and in recent years have become a haven for a variety of cultural interests in the city.
The door still has an original brass plate noting the buildings as the premises of the Royal (Dick) School of Veterinary Studies.
In 1951 the Dick Vet became part of the University of Edinburgh, who still operate their veterinary training and medical hospital for animals under the Royal Dick banner. Their main campus is a little distance from the city centre, where they have a variety of world-class and state of the art facilities for treating and caring for sick and injured animals.
It was here that I brought my co-guide Monty on Hogmanay 2019 for an emergency spinal operation after he lost the use of his back legs. At the time of writing, Monty is well on the way to making a full recovery, and that is in large part to the care, professionalism and dedication of the Royal Dick staff.
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Probably the most visited grave in Edinburgh's graveyards - aside from those ordinary folk, like Thomas Riddell, whose graves have been co-opted by Harry Potter Inc. - is that of Greyfriars Bobby, one the city's best-known local heroes.
Bobby, of course, wasn't a person, but a dog. (Edinburgh notoriously has more statues of dogs than women...) And 14 January every year is commemorated as the date in 1872 when he died and was buried in the graveyard of the Greyfriars kirk.
The legend of Bobby has it that he belonged to a man called John Gray, a night watchman in Edinburgh, who patrolled the Old Town every night with his dog for company. When John Gray died, he was buried in the Greyfriars kirkyard, and the story then goes that his dog Bobby spent every night for the next 14 years sleeping on his master's grave...
It's a lovely romantic story, and one which was made into a film by Walt Disney in the 1960s. The story has also become a staple of children's stories, with many book versions reprinted over the years. But, as with most things in Edinburgh, the reality behind the myth is rather less romantic!
After John Gray's death in 1858, Bobby effectively became a stray dog - without an owner to pay for a licence for him, he was liable to being rounded up along with the other stray beasts of the city, and drowned in the water of Leith.
However, he had started loitering the graveyard, territory which would have been familiar to him from his nighttime patrols. But it may not have been his affection for his master so much as his appetite that led him to stay here - all the bars and inns at the boundary of the graveyard would empty waste out of their windows, providing Bobby (and other strays) with a regular, and plentiful, supply of food to scavenge from.
The Victorians were as obsessed with animals as we are - if they could have shared photos on social media, of dogs in top hats or cats on bicycles, the way we do today, they would have been doing it! And so the story of Bobby started to spread, and visitors began travelling into Edinburgh just to look for the dog in the graveyard.
The lord mayor - or provost - of Edinburgh around that time was William Chambers, who realised the appeal of Bobby, and sought to capitalise upon it. He bought a licence for Bobby 'in perpetuity', which meant it would last forever, along with a collar and bowl for him to drink from.
Of course, dogs don't live forever, and the natural lifespan of the Skye terrier is between 8 and 10 years. If we assume Bobby was two years old when his master died, after 14 years of sleeping on his master's grave he would be 16 - twice the natural lifespan of the breed, and as a virtual stray!
It is now considered that there may actually have been as many as four dogs throughout that period, making sure there was always one in the graveyard for visitors to meet - and realising they couldn't keep the story going forever, when one of the dogs died he was given the honour of being buried at the very front of the church.
But visitors continue to seek out Bobby, and often there's a crowd gathered at his grave and around the statue of him mounted on the street just outside the graveyard. (In recent years visitors have started rubbing the nose of the statue for luck, causing huge amounts of damage to the figure. So please don't. It's not lucky. Especially not for the council who pays thousands of pounds each year repairing the damage done by visitors...)
As well as the grave and the statue, look out for Bobby's bowl, collar and licence, which are on display at the Museum of Edinburgh on the Canongate.
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Edinburgh as it is seen today has been shaped over its history by a wide variety of figures and influencers who have left their mark. People like Queen Victoria and Prince Albert made physical changes to the city itself; architects like William Playfair and Robert Adam created the style that can still be seen across the Old and New Towns; and cultural figures like Walter Scott helped to promote the city to start the visitor industry which thrives today.
Another figure to list alongside these local heroes is William Chambers, who was Lord Provost (city mayor) between 1865 and 1869, to whom the city owes a tremendous debt - here are five major effects that Chambers should be remembered for...
Edinburgh's Improvement Acts
Starting in the 1860s, Edinburgh's Old Town underwent a huge program of redevelopment, as the medieval-style structures along the lanes of the Royal Mile were proactively demolished and rebuilt to upgrade and modernise the city's poor quality housing. William Chambers was the man who led the efforts, pushing through a series of laws which made provision for the systematic improvement of the Old Town, widening the narrow closes and improving the standard of living for the thousands of people who lived there.
St Mary's Street, stretching from the World's End junction of the Royal Mile, was formerly a narrower lane called St Mary's Wynd, and the houses at the northern end of the street were the first properties built as part of Chambers's improvements. The majority of the Old Town as it stands today dates back to this period of 1860s - 1880s, and without this wholesale effort to rejuvenate the city it's doubtful that Edinburgh would have survived as well as it has.
As part of this city-wide improvement, one major thoroughfare was created which bears William Chambers's name - Chambers Street runs between George IV Bridge and South Bridge, and was previously a narrow road called College Street.
The road ran alongside the Old College of the University of Edinburgh (as it still does), but under Chambers's improvement program College Street was widened and new buildings commissioned along its length on both sides.
Today most of the buildings on the northern side of the street are associated with the University of Edinburgh (as well as Old College on the southern side) but the biggest development on the street is the National Museum of Scotland, which takes up two-thirds of the whole block.
The foundation stone for the museum was laid in October 1861 by Prince Albert, his last public act before his death in December of that year. The modern wing of the museum opened in 1998. A statue of William Chambers himself stands outside the museum.
St Giles' Cathedral Renovation
William Chambers was also responsible for supporting a major renovation of St Giles' Cathedral in the 1870s. The removal of old buildings earlier in the century had cleared space around the cathedral, and it had become apparent that the building - 700 years old at that point - was in a very poor state of repair.
Internally, too, the church had previously become cluttered, the space having been previously subdivided to house four separate churches under one roof. William Chambers financed a major renovation to create, in his words, a 'Westminster Abbey for Scotland'. The outside walls were cleaned and repaired, and the church tidied up on the inside, to create one major internal space for the first time since the 1630s.
A memorial to William Chambers can still be found inside the church itself.
Chambers English Dictionary
Chambers's profession had been a publisher and bookseller, with a shop on Broughton Street in the New Town. Along with his brother Robert he established a publishing house, and in the 1870s they first published their Chambers English Dictionary - the book remains in print, although modern editions have only been published in digital format. The thirteenth edition of the Chambers Dictionary was published in 2014.
In its early days the dictionary was notable for its accessible and wryly constructed definitions of words, such as describing an eclair as "a cake, long in shape but short in duration"...! Until 2005 Chambers Dictionary was used by the international Scrabble organisation, to provide the words recognised in their Official Scrabble Words dictionary.
Probably the most enduring gift that William Chambers gave to Edinburgh is one of its most popular local myths. In 1867, at a time when stray dogs in the city were liable to find themselves rounded up and drowned in the Water of Leith, Chambers bought a licence for one stray dog who had started to garner attention from visitors to Greyfriars Kirkyard.
The story of a former nightwatchman's dog sleeping on his master's grave was appealing to visitors even at that time, and William Chambers realised that, alongside the improvements to the city, Bobby could offer a valuable boost to the city's visitor profile. The licence he bought had no time limit - it would last in perpetuity - and thus the legend of Greyfriars Bobby was born!
Bobby would reputedly spend 14 years sleeping on his master's grave, and visitors can still view the licence, collar and bowl that William Chambers bought for Bobby in the Museum of Edinburgh, on the Canongate section of the Royal Mile. Bobby's grave and statue remain popular highlights for visitors even today.
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Standing on the corner of Princes Street and the Mound in the New Town, a rather dapper looking figure stands looking down on the shoppers and passersby. This is Allan Ramsay, an Edinburgh man notable for establishing the world's first circulating library, and today remembered for his former home in the buildings which bear his name adjacent to Edinburgh Castle itself, Ramsay Garden.
Ramsay had been born in Lanarkshire in 1686, and by 1701 had settled in Edinburgh as an apprentice wig-maker. At the turn of the eighteenth century wigs were worn by men as a form of status symbol, elaborate constructions of human, goat or horse hair that often fell in ringlets below a man's shoulders, or were elevated to a significant height as a means of increasing their wearer's sense of physical stature. They were expensive products and were created by skilled craftsmen whose reputations rested on their ability to create ever newer and greater objects for their customers to display in public.
By 1712 Ramsay had become a well-known wig-maker of excellent reputation with premises on the High Street (today's Royal Mile) for the richest and most high status customers to buy.
His love of reading and literature saw Ramsay join the Easy Club, a cultural group established to celebrate traditional Scots writing just after the union with England in 1707, when many features of Scots culture were threatened with extinction. From this association Ramsay began writing, and by 1718 was a successful enough poet to turn his wig shop into a bookshop. Some people have credited Ramsay's early writing with being a major influence on the careers of Robert Fergusson, and later Robert Burns.
In time Ramsay's bookshop mutated into the world's first organised circulating library, a cultural hub for readers to borrow books, magazines and periodicals and take them away in order to peruse them at leisure, and then return them for other readers to enjoy.
The modern notion of a library providing such access free of charge is quite different from the original circulating library system, where members where charged an annual subscription fee in order to have access to the collections of materials available. The early function of such organisations was not primarily an educational one, as might be expected, but a capitalist one - to profit from those who had money to spend on such memberships.
In Edinburgh, the rise of the Enlightenment ideals and the city's relative affluence made Ramsay's library a roaring success, and he was able to spend time focusing on his own writing, penning not just poems but also dramas, his 1725 pastoral play The Gentle Shepherd being performed and celebrated as a work of theatre in his own lifetime.
Ramsay opened a theatre on Carubbers Close, off the High Street, which was opposed by the religious fervour of the Calvinists, and later forced to close. Ramsay railed against the dour principles of the Presbyterian church in some of his poems of this time.
In 1740 Ramsay retired to the house he had built for himself, still seen on the land immediately east of Edinburgh Castle - the cream and orange coloured building at the top of the Royal Mile is called Ramsay Garden, and the central structure - Ramsay's original home - was popularly known during his own lifetime as 'Goose Pie House' because of its octagonal shape.
Ramsay died in 1743 and in buried in the Greyfriars Kirkyard, where a memorial on the side of the church building celebrates his life. The statue of Ramsay on Princes Street was carved by John Steell, and ensures that Ramsay is still visibly commemorated in the city where he made most impact during his lifetime.
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Edinburgh's historic Old and New Towns have a wealth of architectural heritage between them, with many iconic structures by visionaries like Robert Adam and William Playfair, who between them gave the city its style and classical appearances.
Another of the significant figures to shape Edinburgh was the architect Thomas Hamilton, whose father had been an architect and carpenter before him. Here are just a few of Hamilton's gifts to the city...
The Old Royal High School
A building whose profile has been raised in recent months by controversial plans to have the structure renovated to give the city its first six-star hotel, the old Royal High School building may be Hamilton's best known work in the city.
Built in the 1820s on the edge of Calton Hill, looking out over the Old Town, the school operated from this location until the 1970s, when the building was considered no longer fit for purpose - its plumbing was outdated and it lacked the necessary standard of electrical connections. The school continues to operate, but has moved elsewhere in the city.
In the 1990s, the empty building was considered a possible site for the new Scottish Parliament, a plan vetoed on the grounds of it being prohibitively expensive to make the building 21st-century functional... The current hope is for Hamilton's building to be given new life as a home to St Mary's Music School.
The Martyrs' Monument
Just a stone's throw from where Hamilton would eventually be buried, in the Old Calton Burial Ground, stands a memorial, designed by him, to commemorate the lives of five men who had campaigned for political reform in Britain at the end of the eighteenth- and early nineteenth-centuries.
The monument is occasionally compared to the Washington Monument in Washington DC, a flattering comparison considering Hamilton's Martyrs' Monument is just 27 metres high!
George IV Bridge
One of Hamilton's 'hidden' features, George IV Bridge was built as an elevated roadway across the Cowgate valley to the south of the Royal Mile, with buildings constructed alongside to almost completely enclose it. Visitors (and locals) will often traverse the bridge (and the other bridges in the city) without fully realising the engineering feat supporting them. Another Hamilton building, the former North Road Free Church, now run by the University of Edinburgh as the Bedlam Theatre, stands at the southern end of George IV Bridge.
Dean Orphanage, now one of the Modern Art Galleries
At Belford, just a short walk from the west end of Princes Street, sit the city's two modern art galleries, part of the collective National Galleries of Scotland.
In the 1830s, Hamilton designed the Dean Orphanage, to help house and educate some of the city's children. Above the portico to the building is a stone clock, taken from the Netherbow Port, which was formerly the city's main gateway at the World's End on the Royal Mile. When the gate was demolished in the 1760s, the clock was saved and incorporated into Hamilton's design sixty years later.
In the grounds of the gallery are a number of allotments, still maintained for local people to grow their own fruit and vegetables, after being set up during the 1940s to help with the war effort during World War II.
Robert Burns Memorial
Across the road from the Royal High School on Calton Hill is one of two memorials that Hamilton designed to commemorate Robert Burns, Scotland's national poet.
The earlier memorial was built in Alloway in the Scottish Borders, Burns' birthplace, and in the 1830s a second memorial, to essentially the same classical Grecian-style design, was constructed in Edinburgh.
This second memorial was designed to house a life-size statue of Burns himself, and although the monument is no longer publicly accessible (except during special events) the statue of Burns, by the sculptor John Flaxman, is still on display in the city's National Portrait Gallery.
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