It's the summer Bank Holiday Monday! Yay! Except in Scotland, where it's just another ordinary Monday morning.... Booo!
I think those of us in Scotland deserve our share of the Bank Holiday fun, so here's my bumper Bank Holiday Edinburgh quiz - 20 tricky teasers to test your knowledge of this historic city... From the castle to Corstorphine, and from the parliament to Prestonfield House, find out how much you know about Edinburgh beyond the tourist trail.
Share your scores and challenge your friends online, to find out who knows Edinburgh best!
GOOD LUCK! :)
On 15 August 1822, King George IV came ashore from the ship which had brought him up the east coast of Britain from London, and began a historic visit to Edinburgh and the Scottish Highlands which would help to kick-start a new age for Scotland.
Prior to this, Scotland had been thought of pretty consistently as England's poorer, wilder, more rebellious, less civilised neighbour. The uprisings of the eighteenth century had helped to cement a perception of the Scots as troublemakers who resented the union with England - and it's true that there was a significant degree of ill-feeling towards the governing powers, who had made the ancient language of Gaelic illegal in Scotland, had banned the wearing of the national dress, and had systematically dismantled the centuries-old clan system of the Highlands.
Such was the national disconnect between Scotland and England, the Scots hadn't even been visited by their monarch since 1650 - Charles II had been the last king to visit Edinburgh, and although the grand New Town development from the 1760s onwards had been broadly named for George III, he had never actually visited the city itself.
That changed in 1822, when George IV was invited to visit Scotland and to travel around the country - a grand tour masterminded by Sir Walter Scott, who at that time was reaching the peak of his status as Scotland's greatest literary export. Indeed, 15 August - the first day the king would spend ashore in Scotland - was Walter Scott's birthday, and Scott had planned out the visit with no opportunity for pomp and circumstance neglected.
Key to getting George IV to Scotland was an appeal to his family heritage. Scott had charmed the king with stories asserting the Jacobite lineage from which he was descended, quelling any fears that the people of Scotland would reject his presence or his rule. He assured the king that not only was his royal connection to the Scottish throne a legitimate one, but that he could dress himself in the traditional attire of the Scottish Highlanders. Neither of these assertions might be considered entirely true, but in doing so Scott inadvertently created not one but two traditions which continue to appeal to visitors to Scotland: the romantic appeal of family connection to Scottish history, and the wearing of a form of Highland dress that isn't entirely authentic.
Scott had commissioned the production of the equivalent of £120,000 worth of tartan ahead of the king's visit, and from this vivid red and gold pattern - the Royal Stuart as it is known today - he oversaw the creation of all manner of decorations and dress items for the king's visit.
But the version of the kilt that Scott created in 1822 was a far cry from the original form of Highland dress, which was far less decorative and much more practical - a rough and substantial swathe of material that would have been worn with a belt and doubled as a blanket for protection during the harsh Highland weather.
It was Scott who was responsible for the modern tradition of a family having its own tartan design, or sett, and for the various forms and styles of kilts and tartan that have since become synonymous with Scottish history and culture. It often comes as a surprise for visitors to learn that this 'ancient' tradition dates all the way back to 1822...!
King George was a fairly portly man, with a figure not naturally suited to wearing such garb as a kilt. Some contemporary estimates put his height at about 5' 2" (1.57m), with a 51" (1.3m) waist and at around 20 stone (280lbs) in weight. He chose to wear bright pink silk stockings under his kilt, to help conceal the varicose veins and other unsightly features on his legs, and was alleged to have worn the kilt about six inches above his knee - a terrible look for a man of that size and shape!
At least one cartoon of him at the time gives a vivid visual sense of the effect created...
During his visit to Edinburgh, George IV attended a number of events, intended to show the king to as many people as possible, in a carefully coordinated programme that befits an exercise in a kind of propaganda. Having not seen their monarch for nearly two centuries, Scots crowded the streets and travelled from all around to catch a glimpse of their king in his splendid costume.
A high society ball in the New Town was catered by a local man named Ebenezer Scroggie, a well-known and well-liked figure who imported fine wines from Europe and was noted for hosting the grandest and most generous parties. He would later be an inspiration to the writer Charles Dickens, and would help to give the world the figure of Ebenezer Scrooge.
Another creation of George IV's visit was the notion of the royal bodyguard in Scotland. The Royal Company of Archers had been granted recognition by Queen Anne in the eighteenth century, and for George IV's visit they attended the king's presence and acted as his 'official' bodyguards. George was so enchanted by their presence and style that he formally appointed them the sovereign's bodyguards in Scotland.
The Royal Company of Archers continue this function in royal visits, and can occasionally be found practising their skills on the Meadows, south of the Royal Mile, near Archer's Walk, or spotted in the gardens of the Palace of Holyroodhouse when dignitaries are staying there. (You'll also find the face of an archer above the entrance to No.1 High Street, on the Royal Mile.)
The visit of George IV was a watershed moment for Scotland. Just as today some people look to British royals as influencers of fashion or taste, so it was in the nineteenth century. Reports of the king wearing a kilt affirmed that it was now not just legal to wear kilts again, but actually fashionable, and so the modern fixation with kilted attire began to form. Similarly, the king visiting Scotland assured people that it was a place worth visiting, no longer to be considered a barren wilderness of rebellious and uncivilised natives.
Just fifteen years later, George's niece would become Queen Victoria, who embraced the interest in Scotland that her uncle had ignited, and whose purchase of the Balmoral estate in the Highlands would solidify the connection between the monarch and the Scots, and with it the introduction of what we would recognise today as tourism to Scotland.
So George IV's visit to Edinburgh was not just important at the time, but in the context of the later growth of Scotland's visitor industry. George was not otherwise considered a popular king - a profligate and womaniser, he had grown fat (literally) on the wealth of Britain's nobles, and embraced a life of excess and debauchery - but the statue of him which stands grandly at one of the major junctions in Edinburgh's New Town today reminds us of his place in creating the modern sense of Scotland.
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Of the five major graveyards in the centre of Edinburgh, there is one which regularly gets visited on my tours as a shortcut or thoroughfare between other parts of the city, but rarely features as a site or location in its own right.
St Cuthbert's kirkyard in the New Town is on the oldest continually used site of worship in the whole city - St Cuthbert himself is believed to have settled a small chapel on this site back in the seventh century - and has a number of features and graves that are worth examining.
The church itself is where the crime writer Agatha Christie married her second husband, in 1930. Having been divorced from her first husband, Christie's second marriage was a runaway affair, with the couple eloping northwards from England to Edinburgh, where the service was conducted without friends or family, and just two strangers brought off the street to act as witnesses to the ceremony.
Christie at that time was 40, and the man she was marrying, Max Mallowan, was 26, a fourteen-year age gap which was considered scandalous by some at that time - there is some speculation that they both lied about their ages on the marriage licence in order to reduce the age difference to a more socially acceptable level. (Mallowan was an archaeologist, which led some to suggest - rather unkindly - that the reason he'd married Christie was that the older she got, the more interesting he would find her...!)
Burials at the graveyard include John Napier, the mathematician who discovered logarithms and invented a device for easily calculating large sums - and a precursor to the pocket calculator - which became known as 'Napier's Bones' because the instruments were originally carved from bone or ivory.
Napier's family home was at Merchiston, near Bruntsfield to the south of the city centre, and the estate property is today one of the campuses of Napier University, one of Edinburgh's four universities.
You can also find the grave of Jessie MacDonald, granddaughter of Flora MacDonald who helped Bonnie Prince Charlie - the Young Pretender of the Jacobite Uprisings - escape Scotland after his defeat at the Battle of Culloden in 1746.
Buried on the eastern wall of the graveyard is Henry Raeburn, one of Scotland's foremost portrait painters in the eighteenth century, whose estate property at Stockbridge gives that suburb the name of its main street, Raeburn Place.
During the late eighteenth- and early nineteenth-centuries graverobbing became a significant issue in Edinburgh's burial grounds, thanks in part to the efforts of people like William Burke and William Hare, who become notorious for selling illegally acquired corpses to the University of Edinburgh's medical school.
As part of the efforts to stem the bodysnatching epidemic, watch towers were built in several of the city's graveyards, including at St Cuthbert's. The cream-coloured sandstone structure stands adjacent to Lothian Road at the western side of the graveyard, and from here armed guards would have been able to patrol the grounds to ward off would-be grave robbers.
Today the watch tower serves as a quirky office space which is rented out to local businesses.
Also buried in the graveyards is George Meikle Kemp, the self-taught architect whose major gift to the city fo Edinburgh was the 'gothic rocket' of the Scott Monument, in Princes Street Gardens. Kemp died before the monument was completed - his body was discovered floating in the canal to the west of the city - and his son oversaw the completion of the monument. Kemp's grave can be found in the central portion of St Cuthbert's kirkyard.
You'll also find a small memorial mounted on the western side of the church building itself, bearing the initials RTM. Robert Tait Mackenzie was a Canadian doctor and artist who created the memorial known as The Call - 1914, which commemorates the Scots soldiers who were killed or injured during the First World War.
The monument itself can be found nearby in Princes Street Gardens, and Mackenzie originally wanted to be buried in front of the memorial after his death. Unfortunately, Edinburgh Council's restrictions on the use of public spaces for the disposal or interment of human remains made such a request impossible, so instead Mackenzie's heart was buried in St Cuthbert's kirkyard, with a small decorative plaque commemorating his life.
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The architecture of Edinburgh is one of the constant delights of the city - no matter how many times I walk these streets (and I've walked them A LOT!) I'm always seeing new details or new features that I never noticed before.
But there are several instances in the city of architects dying before their buildings could be finished, and even (in one notable example) of a building being abandoned before it could be completed.
So here's a brief introduction to some of Edinburgh's unfinished architectural business...
GEORGE MEIKLE KEMP
Not an especially well known name amongst Edinburgh's architectural luminaries, Kemp was a joiner and carpenter by trade, but was also a self-taught architect who created one of the city's most significant structures.
In 1836, shortly after the death of the writer Sir Walter Scott, a public competition was launched to design a monument which would adequately celebrate this incredibly popular and influential figure. The top three designs would each win a prize of 50 guineas, and one of the designs would be built.
Kemp had no formal architectural training, and although he was a gifted draughtsman and had an eye for the detail of gothic structures of the Borders abbeys and Rosslyn Chapel, which he'd seen as a child, he'd never actually attained a design qualification. He submitted an entry to the competition under a pseudonym, and was thrilled when his design was chosen as one of the three winning entries.
Edinburgh was a city full of master builders and designers at that time, and his success (despite his lack of qualification) made him an unpopular figure in the architecture community. Nevertheless his design for a monument to Walter Scott commenced construction in 1840, and quickly took the 'gothic rocket' shape by which it is popularly known today.
In 1844, as the construction was nearing completion, tragedy struck. Kemp never made it home one evening, and his body was discovered floating in the canal near Fountainbridge a few days later. Suicide was ruled out, but whether it was foul play or accident which led to his drowning was never proven.
Kemp was buried in the St Cuthbert's kirkyard, and his ten-year-old son laid the final top stone of the monument to complete its construction six months after his father's death. Kemp never saw the finished monument which stands on Princes Street today.
Remembered as the architect who created the classical style of Edinburgh's New Town, Robert Adam came from a family of architects, and was such a notable figure in the late eighteenth century that on his death in 1792 he was afforded a burial plot within Westminster Abbey in London, lying alongside historical luminaries such as Mary Queen of Scots, Isaac Newton, Charles Drawin and (more recently) Stephen Hawking.
Adam's work across Scotland and the rest of the UK was extensive, but there were two major projects in Edinburgh which were left unfinished at the time of his death.
Most notably, perhaps, was the development of the University of Edinburgh's Old College, which Adam had designed as a double quad structure housing some of the university's prime teaching spaces. Construction began in 1788, but came to a halt four years later at the time of Adam's death.
Funding at this time was also a challenge, and so the building was left unfinished for nearly thirty years, until Adam's plans were passed to a luminary of the next generation of Edinburgh architects, William Playfair. Playfair made several major modifications to the plans - reducing the double quad to a single open space, for example, which reduced the cost of the construction significantly - and oversaw the development to its completion.
Adam would never see the finished Old College building, one of the most beautiful features in the Old Town, but neither would he see the completion of the site which would perhaps have the greatest impact and influence on the city as a whole.
The New Town of Edinburgh had been growing and developing steadily since 1767, with structures built westwards along George Street in sequence. The initial houses were all designed by different architects and developers, and the patchwork effect of styles and designs came to be considered unattractive, and ill-fitting with the highly stylised plans for the city.
Adam was commissioned to design all of the buildings around Charlotte Square, the western extent of the original New Town development, to create a harmonised sense of architectural style, and his plans started development in 1791, a year before his death.
Today, the style of Adam's Charlotte Square properties is reflected and reproduced right through the New Town, being taken on by later architects and developers and creating a unified sense of classicism which marks Edinburgh's New Town as a gem of Georgian style. Alas, Adam would never see Charlotte Square completed, nor would he know how influential his style and vision would be.
Another figure associated with the New Town would also never see the finished product. James Craig was the young architect whose grid-system plan for the New Town was revolutionary in the 1760s when he proposed it - three broad streets running east-west, bisected by smaller streets running north-south. It was a vision that was clean, classical, and in complete contrast to the narrow, winding lanes of the Old Town, and created an entirely different sense of space for the city's new era of expansion.
Although he died before the New Town with finished, Craig did perhaps have some sense of its impact and importance, as he came to resent the demands upon him for commissions that replicated his early grid system, and wrote to a friend complaining of the "monotony of the straight line" that developers sought from him.
Craig died in 1795, a quarter of a century before the first phase of the New Town was completed, and was buried in what was, for a long time, an unmarked grave in the Greyfriars Kirkyard.
Playfair was the neo-classical architect of the nineteenth century who followed Robert Adam's lead in creating distinctive styles of work which continue to populate Edinburgh's city centre. Almost any building with Grecian-style columns can reliably be claimed as either built or inspired by Playfair, but there is one specific structure which remained unfinished not just during Playfair's lifetime, but right up to the modern day.
On the top of Calton Hill, overlooking both the Old and New Town areas of Edinburgh, stands a distinctive range of columns that helped to give Edinburgh one of its nicknames, 'the Athens of the north'. This structure was original intended as a full scale recreation of the Parthenon in Athens, a Grecian temple structure that would serve as a war memorial to the dead and wounded Scottish soldiers of the Napoleonic Wars.
The foundation stone for Playfair's design was laid in 1822 during the historic visit of King George IV, and fundraising efforts began to raise the estimated £42,000 that would be needed to complete the monument.
The first round of public subscriptions raised £16,000, and construction work began on the columns.
Then, the fundraising dried up, the public stopped donating, and money for the project became scarce. Various suggestions have been made for why the public lost interest in the project - partly the Napoleonic Wars were considered a dim and distant series of conflicts that the people of Scotland didn't have an immediate or visible connection to, and so their interest in commemorating them waned steadily. One other factor was the death of Walter Scott, and the subsequent fundraising for George Meikle Kemp's monument in his honour - as an immensely popular writer and social figure, it's plausible that where people had money spare to donate to a public monument, they favoured the celebration of Scott over the commemoration of the Napoleonic Wars.
Either way, a decision was made that Playfair's monument would remain unfinished, and construction stopped after the range of twelve columns which adorn the top of Calton Hill today. What was originally to be known as the National Monument is today better known as Edinburgh's Shame or Edinburgh's Disgrace, becase of the decision to leave it unfinished.
The last notable architect who never saw his work completed was the Catalan architect Enric Miralles. He was just 45 years old when he died of a brain tumor in July 2000.
The project that Miralles was working on at that time was considered to be the greatest of the buildings he designed during his career, and it can be found at the bottom end of Edinburgh's Royal Mile, opposite the Palace of Holryoodhouse.
The modern Scottish Parliament Building is a controversial structure for several reasons, but the style and vision which Miralles brought to this previously neglected area of the city is the factor which visitors continue to find challenging. The building resists easy definition or understanding, and instead is a whole collection of symbolic references to Scottish culture, history, landscape and people - it's a truly eye-opening structure which was awarded the UK's highest architectural honour, the Stirling Prize, on its completion in 2004.
The building itself evolved over its construction, which may help to account for its variety of styles and features, but the most significant influence on its development was Miralles' death, which occurred just a year into the build and before the final vision of the parliament complex had been completed on the drawing board.
The project, suddenly without its lead architect, had to be taken over by another figure - and it was to be Miralles' wife, an Italian architect named Benedetta Tagliabue. She brought her own vision to Miralles' magnum opus, and saw it through to its completion.
Today the parliament is a highlight of the city, and deserves to be seen even if its style is considered to be challenging or ugly. The inside of the building is an incredible feat of light, space and style, and is worth exploring. Whilst he avoided much of the later controversy that came with the parliament, it's a shame Miralles didn't live long enough to see his intriguing building completed.
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History as we know it is made up of seemingly small moments of drama and action which have unintentionally massive consequences.
One such example occurred in Edinburgh on 23 July 1637, when an Edinburgh woman accidentally started a war between Scotland, England and Ireland, and set in motion a chain of events which wouldn't be fully settled until nearly thirty years later...
'Hell hath no fury like a woman scorned,' as the somewhat sexist proverb has it, and Jenny Geddes was one such woman. We can't know what was going on her head as she took her seat in St Giles' Cathedral that Sunday morning in July 1637 - doubtless she couldn't possibly have known that she was on the brink of almost single-handedly bringing the British Isles to civil war, in a conflict which would shape the political and military landscape of the nation for generations to come.
In one surging moment of outrage during the service, as the historical record has it, Geddes got to her feet and picked up the small three-legged stool upon which she had been sitting. "Daur ye say Mass in ma lug?" she shouted, as she hurled the stool at the head of the minister.
It was an explosive moment of rebellion which would have wide-ranging consequences for the whole of the British Isles.
In modern English, Geddes's accusation - 'dare you say Mass in my ear?' - had its roots in events from a number of years earlier, at the Scottish coronation of King Charles I at St Giles' Cathedral in 1633. Suffering from his adherence to the belief that as monarch he was directly appointed by God, known as the 'divine right of kings', Charles had insisted on an Anglican service for his coronation.
But since the Reformation in Scotland over sixty years previously, the Church of Scotland had taken a different path from the Anglican church, and saw its role in the joining of its congregants to God in a different way. Services had been overhauled and changed from the traditional Catholic-style Mass, and a new structure had been set up within the Scottish church that removed many of the power hierarchies that that the Church of England retained.
Regardless of these major differences which had evolved, Charles I sought to impose the Anglican book of Common Prayer on the Scottish church, against the wishes of many in the Scottish church who saw this as an attempt by an English king to impose his will on a church he didn't belong to.
The first time his authorised book of Common Prayer was to be read publicly at a service in Scotland was in St Giles', on 23 July 1637, and Jenny Geddes was one of many among the congregants that morning who resented the interference of the king in their experience of religious worship. Her outcry (accompanied by a deftly aimed wooden stool) was a passionate rejection of a liturgical form that she didn't recognise or adhere to.
Certainly the scene in St Giles' that morning would have been one of startling violence as a riot broke out amongst the congregation, and Jenny and a number of other protesters were thrown out of the church, taking their cause onto the streets of Edinburgh.
News of the uprising in Edinburgh led to similar riots breaking out in towns and cities across Scotland, and when the king refused to allow the Scottish church to maintain its own form of worship (distinct from the Anglican service) the people of Scotland sought to protect their interests by drawing up the National Covenant, a document that sought to enshrine the rights of Scotland to its own church, and one that operated distinct from the control of the king.
The National Convenant was signed at Greyfriars Kirkyard in Edinburgh in 1638, and copies of the document were circulated across Scotland, as a powerful and passionate declaration of the Scottish church's independence from the English monarch.
Charles I resorted to military force to impose his will on the Scottish church, leading to the so-called Bishops' Wars of 1639 and 1640, establishing a conflict between the authorities of Scotland, England and (by association) Ireland, known as the War of the Three Kingdoms. The following years led to the turbulence and trauma of the English Civil War, which would have a major impact on the nation - in 1649 Charles I executed for treason and the Puritan leader Oliver Cromwell installed himself as Lord Protector (king in all but name) of Great Britain.
So it may be a stretch to suggest Jenny Geddes bore responsibility for all of the historical events which followed her outburst in St Giles', but certainly by speaking out against what she saw as an injustice she helped to foment Scotland's reputation for standing up for itself. And she became a minor celebrity in her own time - and the poet Robert Burns was so enamoured with her that he named his horse Jenny Geddes in her honour!
On such small moments great history turns, and often we forget (perhaps) that it can still be individuals whose actions or presence can lead to major historical changes. And whilst the story of the English Civil War is often told through the kings and military leaders who were involved, it's worthwhile remembering the disaffected Scotswoman whose outrage started it all.
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Visitors to Edinburgh today typically arrive either by plane or train – and, for the record, bringing a car to Edinburgh is generally to be considered a terrible idea! - but these means of mass transit are historically very new, and for a long time the vast majority of people simply wouldn't have had the time or means to be able to undertake travel beyond the locality in which they lived.
Add to this that many towns and cities were protected by defensive walls, and often charged a fee for people to enter – the poorest people of these places simply wouldn't have been able to afford to leave, as was the case in Edinburgh. It's remarkable to think that before the rise of railways in the 1830s and 40s, a majority of Edinburgh people would have spent their entire lives within the confines of the city walls.
But for those who could afford to travel – and had the need to do so – the seventeenth century saw the rise of stagecoach services across the UK.
The first public coach service in Britain launched in 1610, and connected Edinburgh to Leith, at that time an entirely separate town just a few miles to the north-east.
By 1658 there was a regular coach service connection London and Edinburgh. It ran fortnightly, and cost £4 to make the journey - equivalent to over £400 in modern currency. (Mail coaches ran more frequently to carry goods and messages between the cities.)
At that time, travelling between the two cities could take anywhere from 10 to 14 days on average, with overnight stops along the route – hence the 'stage coach', travelling in stages to change or rest the horses.
In 1712 an Edinburgh to London service was advertised as being able to "perform the whole journey in thirteen days without any stoppages [ie. unscheduled interruptions] (if God permits), having eighty able horses to perform the whole journey". This service left Edinburgh on Mondays in winter and Tuesdays in summer (to allow an extra day/night for bad weather), rested for the whole day of Sunday, and reached London the following Friday. It cost £4.10s.
It wasn't until 1734 that a weekly passenger connection between London and Edinburgh was announced, but either it suffered from lack of demand or simply couldn't make the journey in good enough time because by 1760 the service was back to just once a month.
Wealthier people might have paid for a private coach to make their journey, but a monthly service gives an indication of how many people had need of (and could pay for) a public service at that time.
Glasgow, with its shipping interests, had developed a service which connected the city to London in just 10 days by the 1770s, and Edinburgh could be reached from London within the same amount of time towards the end of that decade.
Once arrived in Edinburgh, visitors would be accommodated in coaching inns which existed primarily to serve this purpose. Some would be found in the Grassmarket, but a popular one on the other side of the city was the White Horse Inn, which stood just off the Royal Mile at Holyrood and had historic connections as a royal stable house – it was named for one of Mary, Queen of Scots's favoured horses.
The street nearby at that time was known as Watergate, as it afforded access to a supply of water from which the horses would be refreshed, and not far away was the start of the Great North Road, the main route which connected Edinburgh to London along the length of the east coast, itself based on the line of the old Roman route. Today that road is London Road, and it joins almost directly to the A1, which is turn becomes the M1 motorway, which leads straight to the heart of London – the historic route is still the most direct road connection between these two national capitals.
The White Horse Inn stood on what is today White Horse Close.
With the rise of railways in the 1830s the boom in faster transport options meant that travelling by horse drawn vehicle was no longer the optimal method of making journeys, especially between distant locations. Sending goods, mail and passengers by train was a faster and more efficient option, and the effect was immense – suddenly the means of travel was more available (and affordable) to ordinary, working people, and with the age of steam came the rise in the notion of holidays. For the first time people could travel for pleasure, and coastal destinations in particular became popular with families who otherwise spent their lives in dark, industrial cities.
The last mail coach from Edinburgh to London ran on 5 July 1847, and thereafter mail was sent by rail instead, and passenger travel by stage coach decreased rapidly around the same time.
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James VI of Scotland (later to also be James I of England) was born in Edinburgh on 19 June 1566.
His mother, Mary, Queen of Scots, gave birth to him in the relative safety of the royal apartments at Edinburgh Castle, but within a year his father would be dead and the 10-month old James would be separated from his mother, who would never see him again.
James VI remains one of the most important and best-known of Scotland's monarchs, and he left his mark on Britain in a variety of ways. Here are just a handful of the legacies that James VI & I left behind him.
THE UNITED KINGDOMS
James would become king of Scotland after his mother's forced abdication in 1567, when James was a little over a year old. A series of regents reigned Scotland in place of the infant king, until James was in his late teens, but the biggest event of his reign occurred in 1603, when Elizabeth I of England died without having married or produced an heir to the throne.
Mary, Queen of Scots had been Elizabeth's cousin, with a rightful claim to the English throne - and it was partly through a process of historical manipulation and deeply-rooted paranoia over this claim that Elizabeth had seen fit to execute Mary in 1587, to remove the threat to her reign that she perceived in Mary.
But on Elizabeth's death, it mean that the next rightful heir would be Mary's son, and thus it was that James, already king of Scotland, now acceded to the throne of England as well. This single circumstance of genealogy united Scotland and England under one monarch for the first time, and (to an extent) the years of turbulence and animosity that had existed between the two separate kingdoms as each fought for power, control and resources was resolved.
The Union of Crowns, as it was known, eventually paved the way for the political Act of Union just over a century later, when the two nations would be brought under the governance of one united parliament, creating the United Kingdom as the single, multifaceted entity that we know today.
THE KING JAMES BIBLE
James was a devoutly religious man, raised in the protestant church (despite his mother's Catholicism) and inherited the Scottish church in the throes of its Reformation, which had brought new schisms into focus. What he found in England, after becoming king in 1603, was a more united form of protestantism that still viewed the monarch as the ultimate head of the church, something the Church of Scotland was less supportive on.
So James began to fully embrace his role as de facto head of the Church of England, and in 1604 convened a conference of senior figures from the church to discuss (among other concerns) commissioning a new edition of the Bible that would unite the centrist voices in the church and create a definitive version of the text in vernacular English (as opposed to Latin).
The King James Bible, originally published simply as the Authorised Version, or King James Version as it's sometimes known, was published in 1611, and became the only version of the Biblical texts authorised for use in English churches. (Scottish churches didn't adopt their own Authorised Version until 1633, when James's son, Charles I, was crowned king.)
By the early nineteenth century it became the most widely printed book in history, and despite minor changes to spelling and format it remained the standard version of Bibles referenced around the world until the growth of newer versions in the twentieth century. Today the standard text is still often referred to as the King James Bible.
An earlier book - one written by James himself - would have an equally significant impact on Scotland, and the wider world.
It grew from James's deeply held paranoia and distrust of the world around him, understandable perhaps when considering the traumatic experiences of his early life: he had been separated from his mother, and was subject to the machinations of a court who didn't always act in his interests (as his mother had been before him); his father had been killed in a explosive plot carried out by unknown assassins (and which his mother was reputed to have masterminded); and, most significantly, in 1589 he married Princess Anne of Denmark, whose life was threatened by a major storm at sea during their journey back to Scotland.
Suspicion grew in James's mind that this storm had been conjured by those who wished harm to him and his new wife. A trial took place in Denmark which resulted in two women being executed for witchcraft, after admitting to causing the storm which had been such a threat to the young couple.
Determined to pursue justice on those who had plotted against him nearer to home, James initiated a witch hunting effort that would have long-lasting effects on the people and the king himself.
It's an annual festival that is unique to Britain, but every winter the old rhyme is recited as citizens prepare for an explosive celebration:
The fifth of November -
Gunpowder, treason and plot!
In 1605 a plot was foiled that would have struck right at the heart of the British political and royal establishments, when a stockpile of gunpowder was discovered in the chambers beneath the Houses of Parliament in London.
A cohort of conspirators, of whom Guy Fawkes is the most familiar and best-known name, were just hours from assassinating King James VI & I, along with much of the government who led the country - and James's paranoid fears of history repeating itself were made real. His father had been killed at an explosion in his home in Edinburgh, and now his own life was narrowly saved from a band of rebels who sought to end his reign in a blaze of smoke and flames.
Every winter on Bonfire Night, the fifth of November, British children create (or used to) effigies of Guy Fawkes and parade them through the street collecting pennies, before burning them on a bonfire and turning their eyes skywards to the displays of fireworks which erupt overhead.
In recent years Guy Fawkes has experienced something of a resurgence, as his likeness has been co-opted by protestors and rioters around the globe, in particular the Anonymous collective (itself taking inspiration from the graphic novel V for Vendetta).
In 1590 he oversaw the series of events known as the North Berwick Witch Trials, which lasted over two years and saw in excess of 100 people from this small town just outside of Edinburgh accused of involvement in supernatural conspiracy against the king. It's not known precisely how many met their deaths, but many were convicted of treason on the evidence of torture administered in the Old Tolbooth which stood on the Royal Mile, near St Giles' Cathedral.
Between 4,000 and 6,000 people - mostly women - are believed to have been executed as witches in Scotland between the 1590s and 1660s. Many of them were burned on the esplanade in front of Edinburgh Castle, where a small memorial fountain today commemorates their deaths.
In 1597, James would consolidate his knowledge and learning from the North Berwick events in his book Daemonologie, with its extensive subtitle: In Forme of a Dialogue, Divided into three Books: By the High and Mighty Prince, James.
His text is a series of conversations between allegorical figures, and covers everything from the Devil's relationship with Man, the distinctions between Necromancy, witchcraft, astrology and other magic arts, the path of 'apprenticeship' that witches follow in their pact with the Devil, and the various forms and styles that witchcraft can take.
It is, in short, a handbook for the identification, persecution and punishment of witches, and it was received with enthusiasm by a society who were ready to embrace this thesis for understanding their world, and its reach was extensive - James's ideas on witchcraft are likely to have influenced the notorious witch trials at Salem in Massachusetts in the early 1690s.
One figure who was especially influenced by the book was William Shakespeare, and it's easy to see how in 1606 he came to produce a tale of a power-hungry Scottish king riven with paranoia and working in league with sinister forces: Macbeth.
So James VI and I has left his mark not just on Scotland or even Britain, but has influenced the whole globe with his writings and his reign. Few monarchs can claim to have left such lasting legacies to the world.
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It's a street in Edinburgh that is often (literally) overlooked, but the Cowgate is one of the oldest thoroughfares of the city and the extent of modern development along it disguises centuries of history.
So here's a trip along Cowgate, from east to west, highlighting some of the historical features you might miss (or which have long since been demolished). The Cowgate is more than just a shortcut through the Old Town, and deserves a closer examination!
The line of Cowgate is shown on early maps of Edinburgh, where from the 1490s it was marked as Via Vaccarum, meaning 'the way of the cows'. It was a road which lay outside of the city boundaries for much of its history, and at a time when it was illegal to drive cattle through the city streets the Cowgate provided a route to bring cattle from the fields and pastures to the south and east of Edinburgh to the cattle market near the Grassmarket.
It was a practical road, running along the valley to the south of the Royal Mile and parallel with it, starting at the junction with St Mary's Wynd (or St Mary Street as it is today) and finishing at the east end of the Grassmarket at the junction with West Bow.
In the sixteenth century, when the Flodden Wall was built, expanding the area contained within the city, Cowgate was brought inside the perimeter and at its eastern end had one of the six gates into to the town, called the Cowgate Port.
The area just inside the wall at this eastern end has changed considerably, but one of the major structures here today is St Patrick's Church, which was built in the 1770s. St Patrick's became a Catholic church in the nineteenth century, at a time when Edinburgh was receiving considerable numbers of migrant families moving here from Ireland.
The notorious potato famine of the 1840s in particular forced many to uproot their lives, and many Irish workers travelled to Scotland to find jobs, bringing their families with them when they came. They would often find themselves living in rundown lodgings, and Cowgate at that time was a notorious slum district - the area around St Patrick's became known as 'Little Ireland' due to the large number of Irish families settling here.
In 1875, the parish priest at St Patrick's had the idea to create a football team from the boys' social club which operated out of the church. They would travel to other churches and districts of Edinburgh to play other local teams, and they took the name 'Hibernian', which was from Hibernia, the Latin name for Ireland.
Today Hibernian - or Hibs - is one of the top-ranking football teams in Scotland, and play their home games at the nearby Easter Road stadium.
The next junction along Cowgate has the St Ann's community hall, which has had various uses over the years. But the site here was originally the grand sixteenth-century home of Cardinal David Beaton, a major figure at the time of Mary, Queen of Scots.
Beaton had put himself forward to rule Scotland in Mary's place during her infancy. His home on Cowgate was often described as a palace, which seems remarkable given that the area was a slum 300 years later.
In fact for a long time Cowgate had been a higher status housing district, attracting wealthy figures and families who could afford to live outside of the city, and could enjoy a more comfortable and spacious property than those poor souls crowded into the narrow lanes of the Old Town.
That all changed once the New Town was built, when wealthy families moved to the grand surrounds of George Street and Princes Street, and the housing on Cowgatewas left empty. Much of it was later taken over by the slum landlords.
Cardinal Beaton's house stood until the 1870s, when the area was undergoing a wholesale redevelopment as part of the Improvement Acts to renovate the Old Town. The by-then derelict property was removed and the buildings you see today erected in its place.
Further along Cowgate you'll find the characteristic cow figures pictured above, mounted on the side of the building, a fun reminder of the street's origins. On the opposite side of the street you'll find a former Freemason's Hall, now St Cecilia's Music Hall, and Bannerman's bar, a popular live music venue.
But the major feature just here is the arch of South Bridge, a late eighteenth century development built to try to improve access into Edinburgh.
There are 19 arches in total, but 18 of them are concealed by the buildings built alongside to enclose the structure in the 1780s.
The bridge itself was built as high-status housing and business space, at the time that the area below it was transitioning into a slum district. Later, Robert Louis Stevenson would describe standing on South Bridge and wrote:
"To look over the South Bridge and see the Cowgate below full of crying hawkers, is to view one rank of society from another in the twinkling of an eye."
Edinburgh's Old Town had officially become a split-level society, not just geographically but also economically.
Continue under South Bridge and the modern hotel on the left hand side of the street was built to replace the former Gilded Balloon venue and arts spaces, which were destroyed by fire in 2002. A little further ahead is another modern development, with a set of blue gates closing access to a lane marked College Wynd.
Although the building here is new, the lane itself is not, and it was here, at the junction of College Wynd and Cowgate, that that author Walter Scott was born in 1771. Scott's family would move from the area shortly after - part of the exodus of wealthy residents away from Cowgate at that time - but the lane continues to be marked as a reminder of Scott's Old Town origins.
The New Town development also led to the Cowgate achieving another notable feature - it became the first underground sewer line in Edinburgh! The artificial loch which had filled the valley to the north of the Royal Mile (where Princes Street Gardens are today) was drained, and the stream which fed it was re-routed around the other side of the castle rock, and was enclosed beneath the level of the roadway to wash away filth and waste flushing down the steep Old Town lanes.
But the oldest surviving buildings of the Cowgate lie ahead of us. Firstly, on the right hand side, the Three Sisters pub and sports bar occupies the former Tailors' Hall, the original guildhall of the tailors of Edinburgh, one of the fourteen recognised guilds or trades of the medieval city.
Tailors' Hall dates from the 1620s, and was originally a quad with a range of buildings along the front of the street and an archway leading into the open square that is visible today, on the inside of the structure. The building was occupied as military offices in the nineteenth century,and the front range of the structure was demolished to make the building more functional.
On either side of Cowgate there are now the rear entrances to the Sheriff Court (on the left) and the National Library of Scotland (on the right).
The second of the two bridges over Cowgate is George IV Bridge, built in the 1820s, and a higher structure than South Bridge previously.
In 1868, a young boy named James Connolly was born in one of the buildings on the left of George IV Bridge. His parents, like many others, had settled here after leaving Ireland, and young James would go on to be one of the major figures in the rise of the Irish republicans uprising of 1916, when he led a faction of rebels opposing British rule in Ireland.
Connolly was executed for his role in the rebellion, but remains a controversial figurehead for many.
Through George IV Bridge, the last feature to note before arriving at Grassmarket is the Magdalen Chapel, on the left hand side of the street.
Built in the 1540s, this remains the oldest surviving structure on the Cowgate. It was built by Michael Macqueen, who left the money in his will to build the chapel in his will as a form of indulgence, a Catholic tradition to help ease the passage into the afterlife by offsetting some of the sins committed during life.
The mother of Mary, Queen of Scots led prayer sessions in this chapel during her time in Edinburgh, and the building was given to the care of the guild of Hammermen, who were silversmiths and jewellers.
Shortly after it was constructed, in 1560 the Scottish Reformation saw the nation converted from Catholicism to Protestanism, and with it the destruction of many Catholic churches and chapels. The buildings were desecrated, relics destroyed, silver candlestick melted down for other uses, and the decorative stained glass windows smashed.
Today the Magdalen Chapel has the only surviving, intact, pre-Reformation stained glass windows in the whole of Scotland. The building is open to visitors to see the inside of this small historic space, with its (rather small) stained glass windows.
And so we arrive in the Grassmarket, the original destination for the drovers and farmers who brought their cattle along this roadway.
Today, locals (and visitors) often see the Cowgate as a bit of a shortcut, providing access across the city without being troubled by the Royal Mile itself. Hopefully you may now look a little closer at some of the buildings along the way, and have a better sense of the history of this ancient thoroughfare!
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The city that changed the world. It's a bold claim - and one I've borrowed from a book by James Buchan - but Edinburgh really has been an intellectual crucible throughout history. One famous remark from an English visitor in the eighteenth century posited the idea that ‘‘you could stand at the Mercat Cross and, in half an hour, shake 50 men of genius by the hand’’.
And that may not even have been an exaggeration, as Edinburgh has been home to a great many thinkers, writers, inventors and scientists over the years.
The Scottish Enlightenment of the eighteenth century was undoubtedly a high point in the city's history, as the crowded and cramped streets of the Old Town created a natural environment for the sharing and developing of big ideas - indeed, I would make the argument that the physical geography of the city, forcing all classes and levels of society to live cheek-by-jowl within such constrained city limits, was key to many of the inventions and developments which are attributed to the Enlightenment period.
But even before and after the eighteenth century, Edinburgh has been home to some great minds, so here's my selection of key figures from Edinburgh (past and present) who have - in various ways - changed the world.
In a nutshell, Adam Smith is credited with shaping our understanding of the economic processes which underpin society, chiefly through his 1776 work The Wealth of Nations. It remains a key text in schools and universities around the globe and the ideas within it continue to influence modern economic practice. To some Smith is the father of economics, to others he's the father of capitalism.
Smith had been living at Panmure House in Canongate - which in those days was just beyond the city limits of Edinburgh - when he wrote his magnum opus, which was born partly of the boom in Scotland's presence in the international trade market during the mid-eighteenth century, when the tobacco plantations of America were among some of the most valuable trade links that Scotland had.
Edinburgh at that time had especially huge amounts of wealth inequality, with very rich and very poor living beside each other, and with cash pouring into the pockets of the fantastically rich coming from both domestic sources (the Scottish Highlands being a long-exploited resource) and overseas markets. Smith's philosophy of cash and trade couldn't have arrived at a more convenient time, although it's doubtful if he could have imagined it still having such resonance on our world two hundred years and fifty years later.
James Hutton was a geologist who drew inspiration from the landscape of Edinburgh (and across Scotland) to shape his theories of the Earth, which would transform not just our understanding of our planet but our experience of it.
In the eighteenth century, church teachings still had it that the Earth had been created in the space of just a few days, and only several thousand years ago. Hutton believed that the features he was observing around Arthur's Seat and up in the Highlands didn't fit that story - the rocks (he hypothesised) had actually been created at different periods of time, and not just a matter of days apart but hundreds of thousands of years. Today the age of the Earth is estimated around 4.5 billion years old, and it has been growing and developing and changing over all that time.
This was the key idea of Hutton's work - that our Earth was not a fixed object that had been created as we know it, but it had shifted ('evolved', as a later geologist, Charles Lyell would describe it) over millennia, with its landmasses, oceans and the life upon and within them constantly changing.
"From what has actually been," Hutton wrote, "we have data for concluding with regard to that which is to happen thereafter." This linking of past, present and future understanding would filter through to a whole raft of later figures, including a particular influence on Charles Darwin (himself briefly a student in Edinburgh) whose later theories of evolution and 'survival of the fittest' would in turn redefine humanity's place and experience in the world.
ALEXANDER GRAHAM BELL
Born on Charlotte Square in the New Town of Edinburgh in 1847, and educated at the Royal High School and University of Edinburgh, Bell was living in North America when he lodged his patent application for the device which revolutionised human communication.
Bell's mother was deaf, as was his wife, which was a major factor in much of his early work in speech and language and his later efforts to improve communication, leading him to seek to develop a device which would allow sufferers of deafness to 'hear' again. The invention of electricity had opened a whole new world of technology and innovation, and Bell set his mind to being able to reproduce the sounds of a human voice using electrical impulses, which he characterised as a 'harmonic telegraph' system.
In 1876, Bell applied for a US patent for his telephone, submitting it on the same day as a second inventor, Elisha Gray, applied for a patent for a similar device - it remains a subject of debate which of them made their application first, but it was Bell who made the first demonstration of the successful device. On 10 March 1876, the first telephone 'call' was made, from Bell to his assistant Thomas Watson, and since then the telephone has come to be an integral component not just of communication but of many aspects of daily life.
Who knows what would Bell make of our reliance on the modern version of the device he developed and patented. He died in 1922 and was buried near his family's home in Nova Scotia, Canada - and at the conclusion of his funeral, every telephone in North America was temporarily silenced as a tribute to the man who had revolutionised communication.
JAMES CLERK MAXWELL
Whilst figures like Bell and Adam Smith have become household names, one major figure from the world of science and technology is yet to be fully recognised by the general public.
James Clerk Maxwell was born in the New Town in Edinburgh in 1831, but moved with his family to an estate in Kirkudbrightshire while still an infant. His early years were spent in a spate of inquisitiveness, asking questions and probing for information from the world around him, a curiosity that would later serve him as a pioneering physicist and polymath who introduced a new understanding of our world.
Returning to Edinburgh to be educated at the Edinburgh Academy, young Maxwell was given the nickname 'Daftie' at school, due to his distracted attention - his mind was often elsewhere, creating the appearance of being slow and unknowing when in reality his brain was seeking out answers beyond those that his teachers could offer. Later studies at the universities of Edinburgh and Cambridge demonstrated that he was far from academically stunted.
Maxwell has several major discoveries and theories attributed to him. His investigations into the properties of light and electromagnetism led to colour photography and (later) television. His writings inspired Albert Einstein, who had a portrait of Maxwell in his office and once commented, "I stand not on the shoulders of Isaac Newton, but of James Clerk Maxwell".
In his 20s, Maxwell had used pure mathematics to prove what the rings of Saturn were made of - a problem that astronomers and physicists had debated for years. But it was only when we were able to get a spacecraft close enough to take photographs - colour photographs - of Saturn's rings that we proved with a visual image what Maxwell had proven with maths over a century earlier.
Today one of the gaps between the rings of Saturn is named the Maxwell Gap.
DOLLY THE SHEEP
Actually the figure to celebrate here is the whole team at the Roslin Institute, who have been pioneering the understanding and application of genetics.
Established in the 1990s from earlier departments of the University of Edinburgh, the Roslin Institute is based on the outskirts of the city and has been involved in several major developments in genetics. But the groundbreaking project that still captures the public imagination came in 1996, when the world's first genetically cloned mammal was announced by the institute.
Dolly, as she was named by Keith Campbell and Ian Wilmutt, who led the team that created her, was developed from a single cell taken from a ewe's mammary gland. She was named Dolly in honour of what the scientists suggested were the world's finest mammary glands, on the singer Dolly Parton...
Dolly gave birth to several lambs who continued her genetic inheritance, before her death at the age of six from an illness unrelated to her genetic origins.
Such was the importance of Dolly's existence (and the genetic leap that had helped to create her) that after her death she was stuffed and mounted for display in the National Museum of Scotland, where she stands in the science and technology gallery as a statement of Scotland's world-leading scientific endeavour.
One of Edinburgh's great minds remains a resident of the city today, confirming the notion that not all of the major figures who have had an influence on the world are consigned to history!
Peter Higgs became a lecturer at the University of Edinburgh in 1960, teaching at their institute of Mathematical Physics, after gaining his PhD from King's College in London in 1954. His writing in the 1960s featured the study of subatomic particles, and in 1964 Higgs hypothesised a new particle - dubbed the Higgs boson - which would resolve some of the difficulties physicists had encountered in explaining some of their observations of sub-atomic matter.
Although predicted in the 1960s, it wouldn't be until 2012 that the existence of the Higgs boson would be proven, following experiments made possible by the Large Hadron Collider at CERN in Switzerland.
In 2013 Peter Higgs and François Englert, who had been a part of the 1960s team that made the original predictions, were awarded the Nobel Prize for Physics for their work.
Peter Higgs is today the Honorary Patron of the James Clerk Maxwell foundation, and has a department of Theoretical Physics named after him at the University of Edinburgh's School of Physics and Astronomy, which is based in (appropriately enough) the James Clerk Maxwell building at the university's King's Buildings campus.
This is just a very small, personal selection from the many great minds and figures who have been associated with Edinburgh over the years.
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It's not news to anyone that American visitors make up a significant percentage of those travelling from overseas to explore Edinburgh and Scotland.
From walking the footsteps of their (historically) distant relatives to simply exploring the wealth of history and culture on offer, and from self-drive excursions around the country to one day stops on a longer cruise itinerary, visitors from the US make up around 14% of all visitors to Scotland every year.
So let's look at some of the historical connections between Scotland and America - and maybe you'll find some Edinburgh features to put on your 'must see' list during your trip!
SEEING STARS (AND STRIPES)
Within Edinburgh Castle is a feature considered to be one of the earliest known representations of the Stars and Stripes, the flag of the United States. It's worth seeking out if you're going to take the time and trouble to visit the castle, but is not easy to find!
Look for the Prisons of War exhibition, which is one of the highlights of the castle itself, a recreation of the former prisons beneath the Great Hall where military prisoners were detained. From French naval offenders in the Seven Years' War of the 1750s to some of the original pirates of the Caribbean, these dank vaults have hosted enemies of Scotland from all around the globe.
When American sailors were captured during the American War of Independence, many of them found themselves held in Edinburgh Castle, and it was during this period that one prisoner took a penknife and carved carved an intriguing depiction of a flag into one of the heavy wooden doors of the prison complex.
The doors themselves are now on display with graphic representations alongside highlighting the names, initials, emblems and graffiti that was carved into them over the years, and amongst all these scratches and scrapes you will find (if you look closely) the unmistakable image of a striped flag, just waiting to have stars added to the corner panel...
HONEST ABE (HONESTLY!)
It may seem a strange place to find a statue of the sixteenth president of the United States, but in the Old Calton Burial ground is the imposing figure of Abraham Lincoln, looking down from an ornate marble monument.
The monument itself is a grave of six men who had travelled from Scotland to fight alongside Lincoln in the American Civil War. Like the Irish (with whom many Americans also find associations) the Scots could often be relied upon to provide vital firepower in military conflicts, which is one of the reasons why the Scottish army has connections to many historical battles all around the world.
After their deaths, the bodies of these Scots soldiers were returned to Edinburgh for burial, and it was the widow of one of them - a Sergeant Major John McEwan - who later wrote to the American consul in Edinburgh suggesting a formal commemoration of their deaths may be appropriate.
The consul himself wasn't initially persuaded, until (it is said) his wife came to hear of the request and made the case that the surviving wives and families of the dead men were entitled to an official acknowledgement of their sacrifice.
And so it was that funds were raised to pay for the commemoration, unveiled in 1893, featuring Lincoln along with a representation of an emancipated slave, embodying the cause for which these men fought and died.
The monument is the only American Civil War Memorial outside of the United States, and was the first statue of an American president to be erected outside of North America.
(And did you know that Abraham Lincoln and Charles Darwin were born on precisely the same day?)
LIGHTING THE WAY
Edinburgh's Central Library is the best-used public library in the city, and it was a gift to Edinburgh from the philanthropist Andrew Carnegie, whose fortune was built in America. At the time of his death, Carnegie had given away over $350,000,000 to charities and causes around the globe, including establishing over 3,000 libraries.
Libraries were a great cause in Carnegie's mind. He wrote in his autobiography: "The fundamental advantage of a library is that it gives nothing for nothing. Youths must acquire knowledge themselves. There is no escape from this." He saw the provision of raw information for the consumption of a public, eager to better their understanding and knowledge, as a great and important thing. It was no coincidence that his own father had helped to establish the first public library in Dunfermline, the town north of Edinburgh where Carnegie was born.
In the 1890s, Edinburgh was offered £25,000 from Carnegie to establish the city's first public lending library. That would constitute 'seed funding' to set up the library, on the understanding that the city itself would pay the balance of funds needed to finish the project.
At that time Edinburgh had no public library and - to Carnegie's horror - did not want a public library. They certainly did not want to have to pay for one! Carnegie's benevolence in establishing the fund was rejected, and he was told to give his money to another city, who would be more willing to supplement it with their own cash.
Carnegie was so determined that Edinburgh should have a public library facility that he doubled his endowment to £50,000.
Today Carnegie's library can be found on George IV Bridge, and above its entrance the motto 'Let there be light', reflecting Carnegie's original intention to enlighten and inform the world through his gifts.
WORDS, WORDS, WORDS
A text that remains oft-quoted even in today's era is the Constitution of the United States of America, a document detailing the principles and rights of the nation and its inhabitants. But much of that text was drawn from writings that had originally been composed here in Edinburgh over a century and a half earlier...
In 1638, the National Covenant was a declaration from the people of Scotland to protect the Scottish church from interference by the king, Charles I.
It was drawn up in Edinburgh and signed at the Greyfriars Kirk, and if we compare some of the phraseology of the National Convenant with some of the text of the Preamble to the Constitution of the United States, drawn up in 1787, we find some surprising similiarities...
It's not word-for-word, but it's not difficult to see that there was a influence on the wording of the later US Constitution from the earlier National Covenant. Which may not be entirely surprising given the over 50,000 Scots who emigrated to the American colonies between 1763 and 1776!
This mass migration is partly why the Scottish diaspora in North America is so strong, and why (in genealogical terms) more than 30 US presidents have documented Scottish heritage.
Four copies of the National Covenant document (which were originally distributed across Scotland) can be found in Edinburgh, including one on display in St Giles' Cathedral.
A GIFT FROM THE AMERICAN PEOPLE
In Princes Street Gardens stands a statue by the sculptor Robert Tait McKenzie, a Canadian with many connections to America. He was linked to the University of Pennsylvania, and involved in the American Scouting movement.
In the 1920s, following the First World War, McKenzie created a sculpture called The Call 1914, showing a Scottish soldier in front of a frieze representing the transition of ordinary working men from industries like farming, fishing and mining into soldiers.
The sculpture took four years to create, and was cast in bronze at a New York foundry. The £10,000 cost of creating and importing the statue was met by American donors.
The statue stands facing Edinburgh Castle, and McKenzie had asked that on his death he would be buried in front of the statue. Alas, Edinburgh's laws on burials and public places made this impossible, so instead McKenzie's heart is interred in nearby St Cuthbert's graveyard, where a small decorative plaque marks its location.
FRANKLIN, MY DEAR...
Benjamin Franklin was one of the Founding Fathers of the United States, and was known as the First American, who travelled to the UK between the 1750s and 1770s. He spent much of his time in London, but also visited Edinburgh to meet notable figures like David Hume, with whom he lodged for three weeks in 1771.
Franklin was also granted an honourary doctorate from the University of St Andrews, Scotland's oldest university.
One of the places Franklin stayed during his visits to Edinburgh was Prestonfield House, which operates today as a boutique hotel and restaurant. Why not take afternoon tea in the plush surrounds of this incredible former estate property, and see a little of old Edinburgh the way that Franklin might have seen it during his time here.
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Born across the Firth of Forth in Fife, a county to the north of Edinburgh, Adam Smith is one of the best-known and most important figures of the Scottish Enlightenment, in the eighteenth century.
His work on economics in particular remains a text for our time, and it was this book - entitled An Inquiry into the Nature and Causes of the Wealth of Nations - that garnered Smith his reputation as the father of modern economics (or modern capitalism, depending on your perspective!).
Smith himself never knew his own father (also called Adam Smith), who died a couple of months before his son was born. Few details of Smith's childhood are known - even his exact date of birth in 1723 isn't certain - until he started studying at the University of Glasgow at the age of 14. Here his academic prowess proved to be a great gift, and he later undertook post-graduate studied at Oxford University - although this seemed not to be a happy experience, and it is believed that he ended his studies there prematurely after experiencing the effects of a nervous breakdown.
Whilst giving lectures at the University of Edinburgh, Smith became acquainted with the philosopher David Hume, whose work he had read during his time at Oxford, and they established a firm friendship (despite Hume being 10 years senior to Smith).
In character Smith was perhaps considered a bit absent-minded, prone to distractions and known to frequently talk aloud to himself. Although he was known as a great writer and intellectual, in conversation he could be lifeless and un-engaging - some speculated that he dulled his conversation so as not to distract from sales of his books, in which he was more loquacious - and although he gave frequent public lectures he was an uncomfortable public speaker, the result of a speech impediment. There are few portraits of him from life because he disliked his appearance - he once remarked that "I am a beau in nothing but my books".
In 1759 Adam Smith published The Theory of Moral Sentiments, a study outlining Man's moral nature and his capacity to make decisions based on conscience and the impact on the social relationships with others. Smith intended this to be the first volume in an eventual series of 23 works which would consider in great detail every aspect of human experience... Although The Wealth of Nations would prove to be his more influential book, Smith considered Moral Sentiments to be the better work, and continued revising and editing the volume for subsequent publications right up to his death.
At the time he wrote and published The Wealth of Nations, in 1776, Smith was living in Kirkcaldy, the town in which he'd been born.
The house Smith wrote in was owned by his mother, with whom he maintained a close relationship until her death, just six years before his own.
Later Smith would return to Edinburgh to live in Panmure House, just off the Canongate on the Royal Mile - the building still stands, and today is a venue for economics forums.
One of the key ideas often cited from The Wealth of Nations is Smith's notion of an 'invisible hand', the unseen but active forces influencing and shaping a society's economic process, but the phrasing of 'invisible hand' occurs just three times in all of Smith's writing - once in The Wealth of Nations, once in The Theory of Moral Sentiments, and once in A History of Astronomy, which was published posthumously in 1795.
A modern statue of Smith, produced by Alexander Stoddart, pictured above, features a rather playful allusion to this idea of an invisible hand, with Smith standing with a hand atop a sheaf of corn - and the cuff of his jacket conceals his hand rendering it 'invisible'...
Smith died at Panmure House on 17 July 1790, and left instruction to his executors - themselves major figures of the Enlightenment period, physicist Joseph Black and the geologist James Hutton - that all of his unfinished, unpublished work should be destroyed.
Smith didn't want any of his writing being published without his explicit editorial oversight. And so, of the 23 major volumes of work that he had planned and (it is believed) started writing, just Moral Sentiments and Wealth of Nations survive.
But these two works by themselves have been enough to secure Smith's place in the pantheon of great thinkers of the world, whose vision and ideas continue to influence society today, centuries after their deaths. Yet on his deathbed Smith regretted that he hadn't achieved more.
Adam Smith was buried just a stone's throw from his room at Panmure House, in the Canongate Kirkyard, where his grave today has become a small site of pilgrimage for economics students and others from all around the world, who commemorate Smith in a way that I think is rather fitting - by throwing small coins of their national currency on his grave, literally celebrating him with the wealth of nations.
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We talk quite a lot about Scots who have influenced the world, and the diaspora of Scottish migrants around the globe, but the reverse is also true - Scottish history is full of notable figures who weren't Scottish, people who came here from overseas, lived here, and left their mark on the country and its heritage.
Sometimes I worry that we focus a little too heavily on what I call the 'kilts and kings' version of Scottish history, and forget the more diverse range of people and influences that helped to shape the country.
This is the first of what may become an occasional series providing a platform to celebrate non-Scots who have had an influence on some aspect of our culture, with a brief introduction to three Polish figures who had associations with Edinburgh and the landscape of Scotland.
General Stanisław Maczek
Stanisław Maczek was born in what is now Ukraine in March 1892. At university he studied Polish language and culture, and at the outbreak of World War One in 1914, Maczek was drafted into the Austro-Hungarian army.
In November 1918 he joined the Polish army, becoming a Major in 1919, and by the outbreak of World War Two, Maczek was commanding the first fully motorised tank unit of the Polish army. After fighting the German progression across Europe, Maczek and many of his unit made their way on foot through occupied France, and eventually were transported to London where a Polish armoured unit was being put together, under the oversight of the British Army.
The original intention was for this reconstituted unit of Polish combatants to be used as a defensive force to protect the eastern coast of Scotland, which was vulnerable to invasion from the North Sea. Maczek travelled to Scotland and spent two years training his men at Blairgowrie in Perthshire, before events of the war resulted in a change of plan, and Maczek's unit was instead dispatched to join the swathe of units being deployed to storm the beaches of Normandy on D-Day.
The unit under Maczek's command would later play a crucial role in the liberation of Breda, a town of 40,000 people in the Netherlands, which was wrestled from the control of the German forces without loss of life of any of the town's inhabitants.
Following the end of the war, Maczek returned to the UK, where he became commanding officer for all the Polish military units in Britain. During this time he was stripped of his Polish citizenship by the new Communist government of Poland, and being thus rendered stateless was denied a military pension from the British government... because he no longer had a nationality that they recognised.
In the post-war years, Maczek made his home in Edinburgh, working as a hotel bartender and becoming a popular figure with locals and visitors, many of whom were unaware of his distinction as a military commander.
In 1992, after the collapse of Communism in Eastern Europe, Maczek was finally awarded Poland's highest military honour, the Order of the White Eagle. He died in Edinburgh in 1994, aged 102, and was buried (according to his wishes) alongside fallen comrades in the military cemetery in Breda.
Maczek had the nickname 'the Shepherd' amongst the men who served under him, for the care and consideration he afforded them. It is perhaps apt that the English translation of his Polish surname - 'maczek' - means 'poppy', the flower of remembrance.
In 2018, Maczek was honoured with a statue in Edinburgh's city centre, and a walkway across the Bruntsfield Links near his former home has been given his name. A memorial plaque can also be found at the address he lived at in the Marchmont area.
Wojtek the Bear
A more unusual hero is celebrated in Princes Street Gardens in the New Town, where visitors will find a near life-size statue of a bear.
The bear was called Wojtek, and he was adopted as a cub by soldiers in the Polish army during World War Two. They were on manoeuvres across Eastern Europe and they rescued Wojtek from a village where he had been chained up in the square for public entertainment.
The soldiers fed Wojtek cigarettes, and trained him to carry their packs and ammunition for the unit - he was more than just a mascot to these men, he was a part of the team.
At the end of the war, many Polish military personnel and their families were resettled in Scotland. But when the Royal Naval carrier ship went to collect Wojtek's unit in Italy, the soldiers were told they couldn't bring the bear on the ship - it was exclusively for military personnel and their families.
Undaunted, the Polish army did the only thing they could do, and they enlisted Wojtek as a private, making him formally a member of the Polish military services! He was brought on the ship to Scotland, where his men were re-housed around Edinburgh, and Wojtek himself was given to Edinburgh Zoo.
In the post-war years, Wojtek became a popular feature at the zoo, where locals would push cigarettes through the bars of the cage for his enjoyment.
Wojtek died in 1963 (of pretty chronic lung cancer) but is today commemorated publicly in the gardens, with a memorial that celebrates not just his nicotine habit but the role that the Polish community continue to play as an active, visible, and valuable element in society right across Scotland.
A third Polish military association can be found a little way from Edinburgh, near Peebles in the Scottish Borders.
In the grounds of the Barony Castle Hotel is the world's largest relief map, reproducing the landscape of Scotland to scale in a model that is approximately 50 by 40 metres square. It's known as the Mapa Scotland, and it was created by a Polish military veteran called Jan Tomasik in the 1970s.
The building which is today a hotel formerly housed units from the Polish army who were stationed here for training in the 1940s. Like General Maczek's unit, the 1st Polish Corps, which had trained at Peebles, were employed to defend the Scottish coastline between Arbroath and Burntisland before being deployed in the D-Day landings.
Among the military veterans who were settled in Scotland after the war was Jan Tomasik, who bought the hotel building in 1968, and employed his former commander Stanisław 'the Shepherd' Maczek as a barman at the hotel property he owned in Edinburgh. During the summer months, Maczek and his family would visit Tomasik at the hotel outside Peebles, and it may have been in discussion with Maczek that Tomasik's plan for the 'mapa Scotland' took shape.
The map itself was constructed over six summers between 1974 and 1979 with employees of Krakow University in Poland travelling to Scotland to help build the 780 square metre model.
A huge pit was excavated in which the model would be created, and steel rods were used to create the to-scale topography of the Scottish Highlands, before brick levels created the base landscape of the country with concrete poured and shaped to form the peaks, valleys and coastlines. (Only the island archipelagos of Orkney and Shetland off the extreme north-eastern coast of Scotland aren't included in the model.)
Tomasik died in 1991, and left the model of Scotland as a gift to the nation from the people of Poland, to thank the people of Scotland for their kindness, hospitality and support during the war and in the years afterwards.
Today the model can be visited in the grounds of the Barony Castle Hotel - my photos don't do it justice!
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As a city that has a great many artistic connections, from major figures like Eduardo Paolozzi to royal sculptors like John Steell and Alexander Stoddart, it's no surprise that Edinburgh boasts a great many public art works on the streets of the city.
Here are just a handful of works you may find during your visit to Edinburgh...
Work No. 1059
This work by the Turner Prize-winning artist Martin Creed is one piece of art you can literally walk all over...
In 2011 Creed renovated a spiral staircase in the Old Town which had previously been a dark, dank and rather unpleasant access link between North Bridge and Market Street beneath it.
The steps were a feature of the original building when it was first constructed in 1901. At that time the building housed the Scotsman newspaper, where Scotland's daily national was compiled and printed in house. The staircase included a number of hatches into the offices which allowed members of the public to pick up a copy of that day's paper literally hot off the press!
Creed's work replaced each of the old, worn sandstone steps with blocks of marble, each one different in colour and texture - 104 in all. So today pedestrians can climb the steps with a rainbow of shifting shades beneath their feet. Of all the city's staircases, the Scotsman Steps are one worth making the effort to climb!
The Next Big Thing is a Series of Little Things
This is one of my favourite pieces of art in the city, and like the Scotsman Steps, it's one you may not even notice.
On Bristo Square, at the heart of the university district, is the largest piece of public art in the Old Town, commissioned by the University of Edinburgh in 2017. Created by the artist Susan Collis, whose work often blends into its environment and plays perceptual tricks on the observer, the artwork is a series of over 1,600 bronze 'drips' set into the granite pavement, creating the effect of paint having been accidentally dribbled across the square.
Collis's idea was that most of the city's sculptures have become such a fixture of the landscape that passersby rarely even notice them any more. Her work, in contrast, begins as an integral feature of the street and will become more visible over time, as the bronze dots get rubbed shiny by the traffic of pedestrians walking over them.
I think it's fun and playful and worth keeping your eyes peeled for!
A Drama in Time
In a dark underpass at the base of Calton Hill, where the railway lines running out of Waverley Station cross over the top of the Calton Road, is a shining beacon of colour and light that is difficult to miss.
Installed in 2016, Graham Fagen's neon panels create a mini comic strip of images influenced by tales of migrant Scots, travelling from home to resettle their lives in far flung locations. The title is drawn from the writings of Patrick Geddes, a pioneer of social planning whose influence on Edinburgh is still apparent in many Old Town buildings and developments. He wrote: "a city is more than a place in space, it is a drama in time".
A self-explanatory title, perhaps, for an eight-tonne sculpture of a rather sultry looking fish, mounted on the shore at Cramond, a suburb on the coast to the north-west of Edinburgh's city centre. The artist is Ronald Rae, who hand carves his works from granite, a challenging process which can often take over a year for a single piece of work.
Other Rae sculptures can be found in the city, notably the Lion of Scotland which can be found in St Andrew Square in the New Town.
The Regent Bridge
Another easy work to miss - and the photo here is ho help at all - as this is a light show which is (obviously) best seen at night! The underside of the Regent Bridge, built in the New Town in the early nineteenth century, has been illuminated by the artist Callum Innes. This was his first public art commission, installed in 2012.
The coloured light strips in the ground on either side of the arch throw light up the stone walls of the structure, creating an interesting interplay of light and shadow. It's not a work that will linger in the memory, perhaps, but it does bring a bit of interest to what is otherwise a busy pedestrian route into Waverley Station.
All the World's a Stage
Technically a public artwork, although you will have to have a ticket to an event at the King's Theatre in order to see it...! The ceiling high above the auditorium in this popular venue was painted by the artist John Byrne in 2013 as part of a major renovation of the theatre, and takes its suitably theatrical title from the famous Shakespeare speech in As You Like It.
It took five weeks to paint the mural, which Byrne suggested at the time would be his last large-scale work.
Byrne has been a major figure in the Scottish arts scene for over forty years, known not only for his distinctive portraiture but his writing, with a fistful of successful plays, including The Slab Boys trilogy, TV drama Tutti Fruitti, and more recent adaptions of Chekhov's plays such as The Cherry Orchard and Uncle Varick. Byrne frequently designs the stage sets for productions of his plays, and often produces the publicity artwork too.
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Edinburgh's graveyards are always a popular feature on my tours, but I tend to steer clear of the ghosts and ghouls whose stories generally populate visits to such spaces. Instead I think there's real interest to be found in the lives of the people buried here, or the other unusual features that can be found in graveyards.
So here are five more graves that have stories to tell!
David Octavius Hill
Hill was an early pioneer of photography, and in the 1840s along with Robert Adamson he created some of the earliest surviving photographic images in the world, many of them views of Edinburgh.
Some of these images feature in my walking tours, and they provide an invaluable insight into what Edinburgh was like in the middle of the nineteenth century, and show just how much (or how little) parts of it have changed.
Hill's second wife was Amelia Robertson Paton, herself an artist and sculptor who exhibited work at the Royal Academy, and who carved several of the decorative figures on the iconic Scott Monument in Princes Street Gardens.
When Hill died in 1870, Amelia Hill produced a bronze likeness of her husband's head to stand over his grave, as it still does today. Amelia was buried alongside her husband, under her sculpture of him, in the Dean Cemetery, to the north west of the city centre.
George Buchanan was one of Scotland's greatest thinkers and academics during the sixteenth century, at a crucial time in the nation's history.
Having been born in Stirlingshire in 1506, as a teenager Buchanan studied abroad at the University of Paris and he held professorial positions in a number of European universities before returning to Scotland in 1537.
King James V of Scotland employed Buchanan as a private tutor to his son James, and later would teach the king's daughter, Mary, Queen of Scots.
Buchanan was a Catholic but also supported the rise of Protestantism across Europe, and in 1567 he was appointed moderator of the General Assembly of the post-Reformation Church of Scotland. He became the personal tutor to Mary's son, soon to be James VI of Scotland, and is held responsible for the boy's devout adoption of the Protestant faith, as well as his fierce obsession with the supernatural and witchcraft.
Buchanan died in Edinburgh in 1582 and was buried in Greyfriars Kirkyard. The stone and decorative panel above his grave today is a later replacement of the original stone.
Not all of Edinburgh's burials are in the city graveyards - to the south of the city in the residential area of Bruntsfield is the grave of John Livingston, a seventeenth-century apothecary or chemist who died of the plague - known as the Black Death - in 1645.
It's likely that Livingston caught the disease from the patients he treated. Many of the city's plague victims were buried in communal graves beyond the city boundary, in the area today known as Morningside, in order to try to stop the spread of the disease through the city's population.
Shortly before his death Livingston had bought an expansive property set in an area of its own land between Bruntsfield and Morningside, a glorious setting between the city and the countryside where he planned to retire and live a life of comfort. Unfortunately he only lived at the property for nine years before contracting the plague, and was buried as per his wishes in the grounds of the property.
Over time that property was divided up and sold and turned into a popular residential district, and Livingston's grave remained a contentious feature of the local area even until fairly recently.
William Hey Hodgson
Never heard of William Hey Hodgson? That's okay, there's probably no reason why you should know his name! The story with this grave doesn't relate to the person buried so much as the circumstances of the death and burial.
Hodgson was a doctor from northern England, who was probably in Scotland on holiday or for work. What we do know is that - according to his grave in the New Calton Burial Ground - he was "unfortunately drowned in the Firth of Forth by the upsetting of a boat".
I was amused by this initially as I thought it seemed like an unnecessary level of detail - unless it was clarifying that he wasn't drowned as a result of being held under against his will! But on closer inspection I found another detail (which is the whole reason I point this stone out to visitors)...
The Firth of Forth is the body of water which boundaries Edinburgh to the north, the tidal estuary of the river Forth as it flows into the North Sea. But on Hodgson's grave, the text actually described him being "unfortunately drowned" in the Frith of Forth - the misspelling almost as unfortunate as the accident itself.
Poor William Hey Hodgson - not just unfortunately drowned, but spending the whole afterlife with a spelling mistake on his grave!
Lyon had arrived in Edinburgh from Prussia in the 1780s, and was a Jewish dentist and chiropodist who practiced from his rooms on the Canongate, on the Royal Mile.
In 1795 Lyon bought a plot of ground to use as his family's mausoleum - at that time the city had no Jewish burial ground, and Lyon's plot was the first recorded Jewish burial in the city. It cost him £17, which was a significant sum of money in the late eighteenth century.
It was also notable for being on the top of Calton Hill! The council were entertaining ideas of turning the hill into a necropolis, and Lyon was the first person to agree a bill of sale for a plot of land. Shortly thereafter the council's plans changed, and an observatory was built instead - but Lyon's ownership of his piece of land was legally binding, and on his death Lyon was buried in his subterranean mausoleum, along with his wife.
The entrance to the burial is hidden from view, overgrown with grass and kept (deliberately) concealed from public access, but it is on the northern edge of the summit of the hill, just beyond the wall of the observatory.
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In 2005, UNESCO named Edinburgh as the world's first City of Literature, thanks to the number and variety of bookish influences that can be found here. From familiar names like Robert Louis Stevenson and Walter Scott to contemporary figures like JK Rowling and Ian Rankin, Edinburgh's streets have influenced novels, plays, poems and works of non-fiction right through history.
So soaked in verbiage is Edinburgh that you can find many examples of poetry and literature inscribed literally in the stone of the city! Here are just a few examples of the words on the streets of Edinburgh...
A good place to start looking for street poetry is on Makar's Court.
In Scots a 'makar' is a poet (a bit like a 'bard' in ye olde English) and to celebrate a whole host of Scottish poets, one of the lanes of the Old Town has been given a distinctly poetic feel.
Lady Stair's Close is also home to the Writers' Museum, but if you cast your eyes downwards on your way to the museum you'll find all kinds of short quotes from a variety of Scottish writers in the paving stones at your feet.
Many of these quotes relate specifically to Scotland, or in the case of the quote above, to Edinburgh itself. A bit like this one:
This quote, from local author Alexander McCall Smith, is one of my favourite descriptions of Edinburgh, and you'll find it on the wall of one of the new buildings on Morrison Street, built to house the expanded Edinburgh International Conference Centre.
The golden coloured sandstone is typical of Edinburgh's stone, and the quote stretches a good distance along the street, hence the slightly strange waves in the picture - it's hard to get the whole thing in frame even with a panoramic feature!
This short poem is one I only discovered quite recently, despite walking miles through the city every year... It's in the pavement at the front of the new Scottish Parliament building at Holyrood, and it's a little hard to read because of the colour of the stone in which it's inscribed. It reads:
Look. What can you see?
I see beauty in the lochs
I see majesty in the mountains
I see legend in the rocks
And it is ours.
The poet is Robert Adam - not the celebrated architect who gave Edinburgh its classical style, but a 14-year old school boy who won a competition to have his poem featured in the parliament complex. I think it's rather lovely.
At another entrance into the parliament building - not one used by the public, alas - is another piece of text that has a poetic quality.
It's a passage from the Bible (1 Corinthians 13:1, if you want chapter and verse!) translated into Scots that was deemed to have a particular resonance for the new Scottish parliament when it was being established in the late 1990s.
The original text reads: "If I speak in the tongues of men or of angels, but do not have love, I am only a resounding gong or a clanging cymbal."
There's also a rather interesting poem in the ground outside the University of Edinburgh's main library building on George Square... It is the world's only circular mesostic poem! (No, me neither...)
Have a look at it - start reading from the word 'our' and go clockwise:
A mesostic poem is a bit like an acrostic, where a text is constructed around the letters of a word or phrase that the poem also describes. This example is by the artist Alec Findlay and was commissioned by the University of Edinburgh in 2009, with the letters indicated with dots spelling the phrase 'thair to reman' ("there to remain"), which was taken from the will of the first benefactor of the library itself.
Not all the text that you'll find in the city is poetry or art. Some of it just helpful, like this panel in the Grassmarket which describes the geological activity and interaction between volcanic rock and movement of glaciers which created the city's landscape itself, known as a 'crag and tail' formation:
Most of the text you'll find in the city are quotations on lintels of doorways - 'Blest be God for all his giftis' [sic] occurs fairly frequently - and dates of construction. These indicators are always worth looking out for, as they give a real sense of the city's history, and are a direct connection to the people who built and shaped the city over the years.
And some of the text you'll find is pure graffiti, which can often be amusing and insightful, so long as it isn't actively damaging the fabric of the city or detracting from the historic features.
This example continues to make me smile every time I walk past it! (Shoes: model's own.)
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On 12 April 1700 one of the most expensive failures in Scottish history was finally brought to a close, as the surviving members of an expedition to settle a Scottish colony on the isthmus of Panama in South America left that continent to return to their native lands.
The Darien project, as it was known, had cost over £400,000 (equivalent to over 20% of Scotland's wealth at the time), led to the deaths over 2,000 people, and left the entire nation state politically humiliated in the eyes of England. It remains a major turning point in Scotland's troubled relationship with England, and the aftermath of the collapse of the Darien Company would cast shockwaves rippling through Scottish society for the next century.
So what was Darien, how did it go so terribly wrong, and what happened afterwards? I'm so glad you asked!
Seventeenth-century Scotland was a very different place from the modern imagery of a nation bursting with confidence and culture.
The so-called 'Glorious Revolution' which led to the crushing defeat of Scots forces at the Battle of Culloden, had broken much of the traditional clan structures of the Highlands.
As a broadly agricultural economy, Scotland's population had been hit badly with a spate of poor harvests, and the already limited export market with Europe had been badly affected by famines which had swept across the Nordic countries.
Relations with England were poor, and the English Civil War and Wars of the Three Kingdoms had weakened the people and military might of Scotland, leaving the whole country in a state of restless depression. A political union with England had been suggested, but forces within Scotland felt that bolstering the Scots' financial independence with stronger export links to overseas markets would serve the country better without compromising its integrity as a self-governing nation.
There were several major trade routes around the globe at that time, but there was one major issue that any international trading nation had yet to surmount: there was no overland link between the Pacific and the Atlantic Oceans, forcing ships to make a long detour around the bottom of South America.
So a plan was suggested by an enterprising Scotsman named William Paterson - who had previously helped to established the Bank of England - to seek to establish a colony on the north-east coast of Panama, and create a passage across the South American continent to provide a service route that could bring tremendous financial benefit to the people who facilitated it. (The construction of the Panama Canal in the twentieth century served essentially the same purpose.)
The Company of Scotland was established in 1695, and charged with raising funds from a variety of backers from across Europe to support the project. Over £400,000 was generated in just a few weeks, equivalent to a fifth of all the wealth in Scotland at the time, and men were enlisted to sail to Panama and be the first colonists to settle Scotland's presence overseas.
A flotilla of five ships flying the Company of Scotland flag sailed from the port of Leith in July 1698, with a total of around 1,200 people aboard. In order not to raise suspicion with English maritime authorities, instead of sailing south and into the Atlantic via the English Channel they instead sailed north, traversing the seas around the northern coasts of Scotland, and out into the North Atlantic above Ireland. They crossed the ocean and arrived in Panama at an area called Darien, landing on 2 November 1698.
Their problems began almost immediately. The settlement that they established - named New Edinburgh - was heavily fortified, with over 50 cannons that had been shipped from Edinburgh, but it had no regular supply of fresh drinking water. The land that they were clearing in order to be able to plant crops was unsuitable for cultivation, and the local communities - to whom the Scots believed they could sell good and trinkets, in order to establish relationships and raise some cash - didn't want what the settlers were selling.
Despite all this, and with an expectation that things would improve, a letter was dispatched back to Scotland trumpeting the early success of the venture, and two further ships with another 300 people were dispatched from Scotland bearing fresh supplies and new colonists with new enthusiasm.
But conditions in New Edinburgh had worsened. As winter turned to spring of 1699, malaria spread rapidly among the new colonists, killing as many as ten people a day by the summer. Food supplies were running short, tensions in the camp were high, and Dutch and English colonies to the north and south had been instructed by their governments not to help to the Scots for fear of upsetting the Spanish, who operated valuable silver mines in the area.
In July 1699, New Edinburgh was summarily abandoned by those who had survived this far. One ship of survivors returned to Scotland to carry news of the expeditions failure, while two more ships sailed north to the relatively small port town (at that time) of New York, on the east coast of America.
But back in Scotland, not yet having received news of the failure of the initial settlers, four more ships carrying another 1,000 settlers had already departed for New Edinburgh! They arrived to the broken and abandoned settlement in November 1699. Thomas Drummond, one of the original settlers who had sailed to New York, had returned to Darien with a fully loaded supply ship, but the new arrivals were devastated to not find a thriving, fully settled town, and were instead being asked to build one again from scratch.
Tensions with the local communities were worse than ever, with Spanish settlers turning against their Caledonian neighbours. A series of sieges and conflicts resulted in further deaths, disease spread unabated, and by the time the Scots finally abandoned their cause in April 1700 just a few hundred of the over 2,500 settlers who had set out on the expeditions were left alive.
In the aftermath of this failure, Scotland was bankrupted and many of the individuals who had invested heavily in the venture had their reputations broken and their business relationships destroyed.
Seeking financial support to overcome the failure of the Darien project, the Scottish government approached the English government to request a financial loan to bail them out. England's response was that a loan would be offered, but that it would be to everyone's advantage if it wasn't a transfer of money between two separately trading nations, but between two partners in a joint enterprise....
Finally, the political union that had seemed so unlikely and unwelcome just a few years before now sounded like the only way the Scots could survive the effects of their failure. The Scottish parliament debated and ratified the terms of the deal, and on 1 May 1707 the United Kingdom officially came into being. One of the terms of the Act of Union of 1707 was a financial payment of over £398,000 to Scotland to help ease its burden on the English economy.
And so the union between Scotland and England was finally agreed, with many lords and nobles - who were humiliated and facing financial ruin after their involvement in Darien - given gifts of land in England to sweeten their disposition to signing away Scots independence.
Today the Darien expedition is something of a shadow on Scottish history, a failure of enterprise and opportunity that led eventually to national downfall. Of course, for many the union with England was (and remains) a vital and valuable partnership, but it seems unfortunate that it wasn't as a result of celebration and shared vision, but came on the back of terrible national humiliation for Scotland. Which may explain why some still see the relationship between the two countries as an uneasy - and unequal - pairing.
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Within Scotland, the town of Arbroath - on the coast between Dundee and Aberdeen - has two major claims to fame. One is for the Arbroath smokie, a local smoked fish that is notorious for clearing kitchens with its rich aromas (and for that reason rarely found on restaurant menus - if you want to try it, pick up a smokie in a fishmonger and cook it in the privacy of your own home!).
But the second claim to fame is for being the location for the signing of Scotland's early statement of independence from England, known as the Declaration of Arbroath, which kickstarted seven hundred years of Scottish struggle for autonomy. And the date it happened - 6 April - is still celebrated in North America as Tartan Day.
Signed at Arbroath Abbey on 6 April 1320, the Declaration of Arbroath document is one of the earliest formal expressions of the Scots' desire to operate as an independent nation. The text is in the form of a letter to the Pope, detailing the history of Scotland as a self-governing nation, having raised "one hundred and thirteen kings ... without interruption by foreigners".
The letter seeks the Pope's support in standing against the English king, Edward I, and asks him to:
"warn the king of the English, that he ought
The letter makes the case that the Scots would use military might to meet any attack from the English, and asks the Pope to recognise their right to do so (despite the Pope having excommunicated King Robert I, known as Robert the Bruce, and given express right to Edward I of England to claims on Scotland as its overlord).
Interestingly, the letter isn't written directly from Robert the Bruce (who had been excommunicated for murdering John Comyn in the church at Dumfries in 1306) but from a cabal of lords and nobles, expressing a collective expression of sovereign independence, writing on behalf of the people of Scotland rather than from one single figurehead. Moreover, the lords write that if their king should move towards a position of English support, "we would immediately take steps to drive him out as the enemy ... and install another King who would make good our defence".
This is a notable assertion - to the Pope, of all people! - at a time when kings were generally believed to be appointed by God directly, and to operate with His blessing and support. The people of Scotland are telling the Pope that they will appoint a king to rule them - suggesting an assertion of the Scots' will not just against England but against the church itself.
Mostly, though, it is an expression of a collective will and a collective voice, arguing from the point of view of the common man, who wouldn't actually be given any formal political voice until over five hundred years later.
And most famously the letter contains this passage that is often cited, but which may not be an entirely accurate rendering of the original Latin text:
"whilst a hundred of us remain alive,
It's a line straight out of the Braveheart playbook of Scottish history!
And so began the long struggle for independence for Scotland, a battle waged by the people of Scotland over the last seven centuries.
Barely three hundred years later, Scotland and England would be brought into a union - firstly of shared monarchy in 1603, and then of joint government, in 1707 - that survives today.
But there is still a strong drive for Scotland to be able to stand apart from outside governance, and many people in Scotland continue to seek greater powers for the modern Scottish Parliament, furthering the devolution of political control from the British government at Westminster.
The latest formal public debate on the idea of independence took place in 2014, when the people of Scotland voted narrowly in favour of retaining the union as it stands. With developments in the Brexit situation since 2016, when Scotland voted to retain EU membership, there have been renewed calls for a further referendum on Scottish independence to be held.
So it is a debate that continues to be heated and divisive at times, but certainly one which shows no signs of abating.
No one can accurately foretell the future of Scotland - especially in 1320, before much of the political and social tumult which followed - but it is an interesting example of how Scotland's history manages to be bother distant and contemporary, as discussions that were being had seven centuries ago remain on the political agenda today.
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There's probably only one thing in Edinburgh more popular with tourists than the hoary old Harry Potter inspirations, and that's the concept of an 'underground city'.
I have written before about the various areas of the city centre that might qualify as 'underground' attractions, but the best and most genuinely subterranean attraction of all is one that remains a hidden gem, a little further from the tourist trail than the vaults of South Bridge or Mary King's Close.
Gilmerton is an Edinburgh suburb a short bus ride south of the city centre, and beneath its streets are a network of tunnels cuts into the rock that remain a genuine mystery to local historians and archaeologists.
Gilmerton Cove, as it is known, is accessed through a small shop front adjacent to a bookmaker's, on the crossroads of a busy arterial transport route to the city centre. Step inside this unassuming looking building and you'll find a narrow staircase descending below the level of the street, and into a weird and wonderful world of hand-carved passageways and mysterious chambers hewn from the rock.
A significant stretch of these tunnels has been excavated, and a local guide will take you down with hard hats and torches to give you an introduction to the various features of the cove, along with some of the known history of the area. Then you're free to explore by yourselves - as far as you dare!
The passageways are believed to be at least 300 years old, but there is speculation that their origin goes back as far as the Roman period.
In the nineteenth century a local man claimed to have carved the tunnels himself by hand, but the extent of the network - there are unexplored areas still filled with rubble that are considered too dangerous or unstable to excavate - suggests his story was no more than a bold boast to impress his neighbours.
Certainly whoever was responsible for digging the tunnels must have dedicated considerable time to the task. Some chambers of the tunnel have been carved with seating areas and tables, along with ledges and shelves that would have been useful for storage, and a room that appears to have functioned as an altar or chapel space.
Various suggestions have been expressed about the people who may have once utilised these mysterious spaces.
There are plenty of questions but no solid answers at Gilmerton Cove, and the sense of genuine mystery is something that gives it an appeal to those whose appetites are unsatisfied by the ghost tours or the artifice of the Edinburgh Dungeons.
Even Mary King's Close lacks some of the darkness and mysterious atmosphere of these chilly, slightly damp, strangely quiet tunnels and chambers.
So if the glare of the sun is too much for you, or you have an urge to get up-close and personal with the world beneath your feet, take the trip to Gilmerton Cove for a truly unusual, unsettling and unique experience.
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For as long as Edinburgh has had a visitor industry there have been stories about a secret tunnel running the length of the Old Town, from Edinburgh Castle to the Palace of Holyroodhouse.
Tales were told about Mary Queen of Scots making her way through this passage for covert romantic assignations, and anyone who has been on a ghost tour has probably heard about the soldier sent into the tunnel with a drum, allowing cartographers to map the line of the tunnel by tracking the sound of his drumming from the surface. He was never seen again, but when the nights are still and quiet a ghostly drum can still be heard on the Royal Mile...
For years, though, no evidence of that tunnel actually existed, and it was dismissed as mere storytelling to thrill visitors.
Just before the lockdown came into effect last week, I was one of just a handful of guides from across Edinburgh who were invited to join a 'hard hat' tour led by the archaeology department of Historic Environment Scotland to explore a newly excavated length of tunnel that had been uncovered leading from behind a fireplace in the Victorian-era gatehouse at Edinburgh Castle.
The fire place had been removed for cleaning as part of the castle's extensive maintenance programme, and a void was uncovered dropping to just below the level of the dry moat that was dug in the eighteenth century, and then runs in a more or less straight line beneath the esplanade in front of the castle, to Castlehill at the top of the Royal Mile.
The first indications that this tunnel was more than just mythology were discovered in 2011 when new foundations for the seating stands for Edinburgh Military Tattoo were being built into the ground under the esplanade, when a section of rock collapsed exposing a short length of passageway.
Early explorations showed that the tunnel had been badly damaged over the years, but over the last nine years, a team of excavators have been working beneath the feet of the thousands of tourists who visit the castle to clear rock and debris from the passage.
So far the team have excavated approximately 150m of the tunnel, and they are being cautious about how far it may extend to at its fullest.
There's no solid idea of when the tunnel was created, by whom, how far it stretches, or what its purpose was - most likely it was a defensive structure or a military storage area.
Intriguingly, a research team based at the University of Edinburgh have uncovered references to efforts made at the time of the Reformation to provide security for Catholic priests and bishops.
So-called 'priest holes' are a common feature of a lot of historic houses in Britain, providing a hidden space behind wall panels or beneath staircases to shelter religious figures who were vulnerable to persecution. There's a reference in an old record of a similar space, a bunker or "priest closet", developed at the time of the Reformation in Scotland, that may have been accessible from the lower level of St Giles' Cathedral.
The teams are hoping that if that secret space exists beneath the cathedral, it may be part of this network of passageways that could - in theory - have reached all the way along the length of the city, providing safe passage for priests out of Edinburgh.
Although the team hope to find evidence of the tunnel continuing further along the line of the Royal Mile, for the time being, modern utilities have made it difficult to perform the necessary LIDAR radar surveys necessary to identify if it continues as far as Holyroodhouse.
Because there is currently only one way into and out of the tunnel there are no plans yet to open the space to the public, but it is hoped that in the future visitors may be able to once again walk in the footsteps (possibly) of Mary Queen of Scots, once more complete excavations have been finished.
Still no sign of that lost drummer, though...
My thanks to Dr Avril Blague and her team from Historic Environment Scotland for inviting me to be a part of this exclusive preview tour.
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This blog was originally published on 1 April 2020. ;)
Edinburgh has had a Jewish population since the seventeenth century, when the some of the first Jewish migrants to Scotland came as merchants, medical students or professors.
In 1642, Edinburgh University established a position teaching 'Hebrew and Oriental Languages', for which they employed a "learned Jew" from Vienna named Julius Conradus Otto. It is thought that Otto had been born a Jew in Vienna, and later converted to Christianity. He remained in post at the university until his death in 1649. In 1665 a town council meeting refers to a man named Paulus Scialitti Rabin who had converted from Judaism to Christianity in order to be able to work as a religious teacher in the city.
The first recorded Jewish merchant given the right to operate in Edinburgh was a man named David Brown in 1691, although this was hardly the indication of a society fully open to freedom of religion - Brown was opposed by some on the council for being a threat to the religious community here.
In 1698 a Jewish trader named Moses Mosias was denied the right to operate in the city unless he convert to Christianity, and in 1717 a Jewish merchant named Isaac Queen was granted permission to establish a business in Edinburgh only after paying a fee of £100 - equivalent to around £12,000 in modern currency!
In 1788 a man named Herman Lyon arrives in Edinburgh from Prussia (modern-day Germany), bringing with him a family. He is listed as a 'corn operator' which sounds charmingly rural and agricultural, until you realise this was the descriptor used for chiropodists - those who treated corns and calluses on the feet!
Lyon practised chiropody and dentistry on the Canongate, in the vicinity of Moray House, and in 1795 he applied to Edinburgh Council to purchase land to use as his family's burial site.
In the absence of a dedicated Jewish burial ground in the city, his application was approved, and Lyon purchased a family plot on the top of Calton Hill - at that time being considered as a central cemetery for the growing New Town - for the princely sum of £17.
It's not certain when Lyon died, but he was indeed buried (along with his wife) in his tomb on Calton Hill, which later became overgrown and inaccessible. Lyon's subterranean burial site remains, albeit unmarked and invisible from the surface, just beyond the northern wall of the former observatory complex at the top of Calton Hill.
The Jewish community in Edinburgh grew over the following century. Many of those who came settled in the South Side or Newington area, having travelled from seaports like Hamburg in Germany, and from the Baltic countries and the Netherlands, setting themselves up in business as tailors, jewellers or furriers.
By 1816, there were twenty Jewish families in the city, a quorum of the population considered sufficiently numerous to warrant being granted their own dedicated burial ground.
Thus the Edinburgh Hebrew Congregation opened the first Jewish cemetery in Scotland in the Newington area of the city, accessed via a narrow passageway off Causewayside known at the time as Jew's Close.
In the years following, as this small plot was the only dedicated Jewish cemetery in the whole country, and the bodies of a number Jews who had lived (and died) in Glasgow were brought here for the purpose of burial.
Jew's Close itself has long since been built over, and a large former police station stands on what was the original entry into the burial ground, which is not publicly accessible today but which can be viewed through a railing directly from the adjacent street, Sciennes House Place.
Today there are 29 gravestones which survive in this original Jewish burial ground, representing four generations of Jewish families. Many of the grave stones are badly eroded and worn from time, to the extent that the Hebrew lettering is all but unreadable on many of the memorials.
One of these graves is that of Moses Ezekiel, who died in 1850 aged 74 years old, having been registered as a sealing wax manufacturer in the city. It's also known that descendants of Herman Lyon, who was buried at the top of Calton Hill, were laid to rest at this site, along with the family of an Edinburgh University medical student - and possibly the first Jewish graduate from a Scottish medical school - called Lewis Ashenheim, who published a book in 1836 with the intriguing title Premature Burial Among the Jews....
The burial ground on Sciennes House Place was actively used until 1867, when the growth of the Jewish community in Edinburgh necessitated a larger burial site, and an area of the Newington Cemetery was set aside exclusively for Jewish burials, with later expansions to the Piershill Cemetery on the north east of the city, and then to the Dean Cemetery to the west of the New Town.
In 1909 the University of Edinburgh established the first dedicated Jewish Society in Scotland, and by 1911, Edinburgh had a community of around 2,000 Jews.
Today it is estimated there are around 7,000 Jews in Scotland, and whilst Edinburgh has a minority of that number their focus is still around Newington, where the synagogue on Salisbury Road, built in 1932, remains the focal point of worship and community.
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There's a focus on self-isolating and avoiding social contact at the moment, as the Covid-19 Coronavirus is sending the world into shutdown. For many people the idea of social distancing is rather challenging one, as the modern world has drawn us into ever tighter connections with those around us.
The historic concept of quarantine was developed in Venice, as a way of protecting the city from disease arriving from trade ships, and the original word 'quarantine' derived from the Italian phrase 'forty days', which was the period of isolation they specified in order to stop the transmission of illness.
But there have been other forms of social distancing in the past, too. Many religious groups today still practice a form of retreat, to withdraw from extraneous influences and focus inwardly on the self without the distraction of the world encroaching.
Another popular form of isolation was a hermitage, which also had a religious connection. There is a suggestion that St Anthony's Chapel on the slopes of Arthur's Seat in Edinburgh may have served as a form of hermitage, but there's a feature of the city today which still has the name Hermitage, a link to its origins as an isolated estate well beyond the original city of Edinburgh, which evolved in the 18th century as a romantic retreat from the hustle and bustle of life in the New Town.
The Hermitage of Braid, as it's known, is a public park and nature reserve to the south of Edinburgh, adjacent to Blackford Hill, an elevated spot with commanding views over the city.
The valley in which the park sits was carved out by the Braid burn, or stream, and is a steep ravine with heavily wooded sides.
The land here was owned by the de Brad family (from which the modern name 'Braid' is derived), one of whom - Henry de Brad - was sheriff of Edinburgh in the twelfth century. The surrounding forests and fields would have been populated with wild board and deer, and it would have been a popular spot for hunting.
The original estate property would have been a fortified house in a castle style, but the buildings and developments here today date from the 18th century when the area was redeveloped as a place of retreat.
Robert Burn was the architect who designed and built the Hermitage House in the 1780s, replete with a pump system to bring fresh running water from the Braid burn, and an ice house, a separate feature dug into the rock of the landscape in which to store ice from the winter for keeping food fresh over the summer months.
There's also an original stable block, and a doocot - Scots for a dovecot - which would have been home to pigeons that would have been plentiful supply of meat to the estate, along with a walled garden in which fresh herbs and vegetables would have been grown.
Even today, walking through this area, you can get a sense of how peaceful and isolated the property would have been, set into the natural landscape and offering a valuable contrast to the noise of the nearby city.
Just as eighteenth-century visitors would have enjoyed spending time relaxing here, taking time today to walk the paths of the nature reserve and spend time surrounded by the calming influences of water, birds, trees and (generally) a few local joggers remains a relaxing and positive experience.
Edinburgh has many public parks and open spaces today - remarkably nearly 50% of the city centre is green space - and the Hermitage of Braid is a true hidden gem that even many locals don't know about.
If you're planning a trip to Edinburgh after the period of social isolation eases, you can explore more of the city's hidden gems with my private walking tours!
The Old Town of Edinburgh is the area that most visitors think of as being the 'historic' bit of the city, and relatively few tourists take the time to check out the New Town...
I think the name puts them off, and people don't realise that the 'new' part of Edinburgh is still over 250 years old! As such it has over two centuries of history to explore, and offers a fantastic contrast to the Old Town and Royal Mile area.
For most of its history the city of Edinburgh was clustered along a narrow strip of rock rising to a ridge with a valley on either side of it. That ridge is still there - the Royal Mile runs along it - as are the valleys, which for a long time formed the northern and southern boundaries of the city.
But by the 1740s the population of Edinburgh was rising faster than ever, and this city with an area of just a half square mile (1.3 square kilometres) suddenly found itself with a population in excess of 50,000 people. Conditions in the old city were squalid and filthy, with as many as a thousand people living on each of the narrow lanes or 'closes' along the main street.
Plans were drawn up to formally grow the city for the first time in its history, to spread to the north onto land which was dotted with fields and farms, an area marked on maps of the time as Bearford's (or Barefoot's) Park. This land was bought up from individual landowners, and a comprehensive plan was drawn up to build a whole new town.
In 1767 development started in the area known today as St Andrew Square. This large open space was originally a private garden for the wealth people who lived around the square - all of the New Town was planned as residential property, to allow the wealthy and high-status residents of the Old Town to start a new life away from the the filth and overcrowding of the original city.
The plan for the New Town had been drawn up by a young architect called James Craig, and his vision was a grid system of three broad streets running east-west, bisected by smaller streets running north-south. It was the first example of coordinated town planning in the UK, and his grid system - although it seems common in modern planning - was a truly creative approach to the system of city development.
This initial phase of development was all named for the monarch at the time of its construction - King George III - and to commemorate the union between Scotland and England, which was only 60 years old at the time the New Town was started.
Thus the streets here are George Street, Queen Street, Princes Street, Hanover Street (for the royal family line George belonged to), St Andrew Square, Rose Street and Thistle Street (for the national flowers of Scotland and England). St Andrew Square was originally to be mirrored in St George Square at the west end of the city, but that square was eventually named Charlotte Square for King George's wife, Queen Charlotte Sophia of Mecklenberg-Strelitz.
Craig had won a public competition to design this layout of the New Town, and although his plans were considered a great success he never was able to capitalise on this early opportunity, and towards the end of his life complained to a friend about the "monotony of straight lines" that he felt his career had been reduced to. He died in poverty and was buried initially in an unmarked grave in the Greyfriars Kirkyard.
It took developers nearly 50 years to build the first phase of the New Town, spreading westwards from St Andrew Square, with the housing around Charlotte Square being completed in the 1820s. But the city continued growing in stages - seven major phases of development in all - spreading all the way out to the west, the north, and later to the east as well. Today everything north of Princes Street is broadly considered to be New Town.
Today the New Town is the more contemporary, local side of Edinburgh, with many local shops, offices, restaurants and bars, and the streets here have a different feel from the more tourist-focused side of the city, in the Old Town along the Royal Mile.
The centre of Edinburgh is protected as a UNESCO World Heritage Site, and the bulk of this protected area covers the New Town of Edinburgh.
I offer a specific New Town tour, focusing on this less visited side of the city, which features the Dean Village and Calton Hill along with a stroll along some of the (still) grand residential streets of the Georgian-era Edinburgh, or we can combine Old and New in a customised tour to suit your interests.
Escape the Old Town crowds and check out Edinburgh's New Town with my private city walking tours!
Not all of Edinburgh's historical figures belong to the dim and distant past - many notable residents have walked the streets within living memory and offer a more modern sense of Edinburgh's historical influences.
In a city noted for its literary and artistic influences, one figure had a particular impact on the world of modern art. Born on 7 March 1924, Eduardo Paolozzi was an early proponent of the Pop Art style, and may even have given the movement its name from one of his colourful early collages.
Paolozzi was born in Leith, to parents who were Italian immigrants who had settled in the city early in the twentieth century. The city today retains many of its links to these immigrant families who brought a fresh new vision of food, art, music and culture to Scotland - Paolozzi's parents ran an ice cream and confectionery shop in Leith, and many of the fish and chip shops around the city today are still family-run, while shops like the Valvona and Crolla delicatessen have become local institutions.
This isn't to say that the immigrant families were always treated well in Scotland. Notably in 1940, when Italy became a British enemy during the Second World War, many Italian men and boys across the country were forcibly detained in local internment camps, and a teenage Paolozzi spent three months in Edinburgh's Saughton prison. His fate was rather better than that of many Italian men at that time, however, who had also been detained and were being transported to an internment camp in Canada. The ship they were on, the Arandora Star, was torpedoed by German u-boats in the North Atlantic, and over 800 men perished, 446 of them Italian detainees, including Paolozzi's father and grandfather.
In 1943, Paolozzi joined Edinburgh College of Art, and later studied fine art at University College London. In Paris at the end of the 1940s Paolozzi associated with Alberto Giacometti and Georges Braque, both of whom became major figures in the world of post-war sculpture and painting.
On his return to London, Paolozzi established his studio in London's district of Chelsea, where he began a pioneering approach to assembling collages and printing. In 1952 he was a founder of the Independent Group, whose work and vision would later be a significant influence on the American pop art movement of the late 1950s and 60s. It was Paolozzi's 1947 collage of images and advertising text snipped from American magazines, entitled I Was a Rich Man's Plaything, which influenced the bold, colourful style of pop art, and prominently at the top of the piece is the word 'pop' itself.
Paolozzi was awarded a CBE in 1968, and was knighted by the Queen in 1989. He had already been appointed to the position of Queen's Sculptor in Ordinary in Scotland, a role originally created by Queen Victoria for Edinburgh artist John Steell in the 19th century, and a position currently held by another Edinburgh sculptor, Alexander Stoddart.
Paolozzi's extensive output took in a wide range of media, from sculpture and collage to print and mosaic, and some of his public artworks can be found today across the world, from the walls of London tube stations to the foyer of the British Library.
In Edinburgh you can spot some of his pieces to the east of the city centre, outside St Mary's Cathedral on Picardy Place, where huge sculptures of a foot and a hand are mounted on the pavement, entitled The Manuscript of Monte Cassino.
You can also find some of his statues in the lower levels of the National Museum of Scotland, and around the University of Edinburgh campus at King's Buildings and their central library on George Square.
Paolozzi donated much of his work and material to the National Galleries of Scotland in 1994, and in the former Dean Gallery (now named Modern Two) you can see a recreation of his studio, along with other works including a major figure of an iron giant named Vulcan who stands in the gallery's cafe.
Paolozzi died in London in 2005.
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Nestled under the south-eastern slopes of Holyrood Park is the grand former estate property of Prestonfield, which today operates as a boutique hotel and popular venue for weddings, along with a fine dining restaurant, as well as providing atmospheric afternoon teas.
But the house itself has a rather remarkable history, and if you have the chance to peer into some of the grand dining spaces you will get a brief vision of the house's illustrious past.
The area used to have the name Priestfield, after the connection the land had to the Cistercian monks of Harehope in northern England in the twelfth century. Following the Scottish War of Independence in the fourteenth century, Priestfield was taken from the monks and gifted to the son of King Robert II. He in turn sold the land to capitalise upon its financial worth.
Priestfield changed hands several times over the next few centuries, being owned by various families including Walter Chepman, Scotland's first printer. Alas the estate struggled to remain financially fluid, and in the 1670s the property was taken over by Sir James Dick, a former Lord Provost (mayor) of Edinburgh.
His grandfather, Sir William Dick, was such a wealthy figure from the success of his business interests that he had taken to lending money to the Scottish government, and when those loans failed to be repaid William Dick found himself in considerable debt. His financial ruin led to prison in London, where he died in 1655, and his family were unable to afford even to pay for a funeral until six months after his death.
James Dick had inherited some of his grandfather's acute business brain, and in the later years of the seventeenth-century he undertook a project to clear the streets of Edinburgh's Old Town of the immense quantities of filth and waste which flowed through the narrow medieval streets. Dick paid for this waste to be removed from the city, and deposited as fertiliser on the land and fields around the estate at Priestfield. If ever a man could be described as dirty, stinking rich, it was James Dick!
The Dick family had stuck to the old religion of Catholicism after the Reformation in Scotland in 1560, and during a particularly violent bout of anti-Catholic uprisings, Priestfield House was burned to the ground in 1681.
James Dick enlisted the help of Sir William Bruce, at the time official architect to the king and involved in the redevelopment of the Palace of Holyroodhouse, to rebuild Priestfeld, and in doing so changed the name from Priestfield to the less religiously-sensitive Prestonfield. This structure, dating from 1687, is the basis of the building that visitors can experience today.
Later generations of the Dick family made renovations and developments to the property, adding grand staircases, the imposing entrance porch, and filling the rooms with furniture and paintings.
The Dick-Cunyngham family who occupied the property in the eighteenth century had strong Jacobite sympathies, and Alexander Cunyngham had briefly travelled with the exiled Charles Edward Stuart - better known as Bonny Prince Charlie - during his time in Italy.
Alexander Cunyngham was a keen horticulturist and took the Dick surname when he inherited the estate in 1746, and today it is Sir Alexander Dick who is credited with introducing rhubarb to Scotland - hence the name of the restaurant at Prestonfield House today: Rhubarb.
As a popular venue for society figures to entertain (and be entertained), Prestonfield House during Alexander Dick's ownership hosted a variety of luminaries including the philosopher David Hume, the painter Allan Ramsay, Dr Samuel Johnson, and one of the Founding Fathers of the United States of America, Benjamin Franklin.
The grounds of the estate were remodelled to give the property an impressive circular stable block by James Gillespie Graham, and Prestonfield became a popular venue for a variety of sports and outdoor pursuits, including hunting and horse riding.
Today the parkland-style grounds of the property are dotted with peacocks, who roam freely and whose distinctive calls can be heard during the warmer summer months.
Today Prestonfield House is an exquisite boutique hotel and restaurant, from the same management as the popular Witchery restaurant on the Royal Mile. The venue is a short drive from the city centre, but is worth a visit for afternoon tea to experience the utterly unique and stylish surroundings.
Find out more about some of Edinburgh's historic houses and homes with my private city walking tours!
Edinburgh Expert Walking Tours is run by Gareth, an adopted native of Edinburgh, with over 20 years experience of living and working in the city...
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